Jeff Smith. Posing Techniques for Location Portrait Photography. 2008

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pose the body facing the shadow side of the frame and turn the face back to-
ward the main light. The size of the face in a head-and-shoulders pose is
larger than in other images, so the position of the eyes is very important, and
this will typically make the eyes appear larger.
Arms and Hands.In images that are composed closer, arms and/or
hands need to be closer to the face. This not only adds interest, it also helps
hide problem areas like double chins. Additionally, it provides a base to the
composition.
A good place to start is with the traditional head-and-shoulders pose, with
the arms brought up by placing the hands on the hips. This provides a very
classic look, as long as the shoulders are at an angle. Next, have the client
cross their arms. While there is very little difference in the pose, the look and
feel is completely different. Essentially, you are looking for ways to frame the
face—so experiment with some variations and see what works for you and
your clients.
Extreme Close-Ups.Classic head-and-shoulders images have always been
good sellers, but extreme close-ups are also really popular—especially with the
degree of retouching now possible with digital capture. To increase the num-
ber of interesting poses you offer, subscribe to fashion magazines and tear

HEAD-AND-SHOULDERS POSES 95

In a head-and-shoulders portrait, the arms
should be used to frame the face and create
a base for the composition.

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