Politics and Civil Society in Cuba

(Axel Boer) #1

Rumba Performance and the Politics of Place in the Era of Cultural Tourism 417


Conclusion

This paper has focused on the micro-practices of contemporary
rumba performance in Havana and Matanzas, emphasizing how the
politics of place vis-à-vis the tourism industry significantly impact
both the political economy of local musicians and the composition of
audiences in each city. The vast majority of literature examining the
impact of foreign tourism in post-Soviet Cuba has focused on the
capital, and thus not recognized the ways that the measures taken by
the state to counteract the economic crisis of the Special Period—
including the expansion of the tourism sector, the introduction of pri-
vate enterprise, and the establishment of a dual currency system—
have been carried out and experienced in geographically uneven ways
across the island. It is my hope that this comparison of rumba perfor-
mance in two cities characterized by distinct economic and social con-
ditions, will contribute to an emerging body of scholarship that
explores both the regional differences on the island as they relate to a
variety of issues, and the correlated politically, economically, and cul-
turally hegemonic status of Havana vis-à-vis the rest of Cuba.

Sources cited

Daniel, Yvonne. 1995. Rumba: Dance and Social Change in Contemporary Cuba.
Bloomington: Indiana University Press.
Grasso González, Nancy. 1989. Folklore y Profesionalismo en la Rumba Matancera.
B.A. thesis, Instituto Superior del Arte, Cuba.
Hagedorn, Katherine. 2001. Divine Utterances: the Performance of Afro-Cuban San-
teria. Washington: Smithsonian Institution Press.
Knauer, Lisa Maya. 2005. Translocal and multicultural counterpublics: rumba and la
regla de ocha in New York and Havana. PhD dissertation, New York Univer-
sity.
Van Nispen, Paul. 2003. El Cajón: La Persistencia de un Instrumento de Percusión en
La Habana. B.A. thesis, University of Leiden, The Netherlands.
Free download pdf