http://www.amateurphotographer.co.uk 29
JOE MCNALLY
Joe McNally’s top tips
Based on his career, Joe shares the
advice he would give to aspiring,
youngphotographers
1
Make powerful proposals
I think to survive as a photographer nowadays
you have to read a lot and you also have to be
able to write well because assignments don’t
drop from trees any more. You have to convince
people to give you money to go and shoot pictures.
You have to make proposals that are coherent,
powerful and intriguing.
2
Be informed
You have to be able to mix with a client on an
intelligent basis and be social and be informed. So,
I think there’s a big background of just being an
informed human being that is a really essential
component of this.
3
Put emotion in images
I’ve met photographers who come at this from
an engineering perspective and they can knock out
a picture, and make that camera sing and dance,
but what is often lacking in that kind of mindset is
emotion... emotional involvement.
4
Do your research
Research relates directly to your ability to be
successful, even if it’s a small job. Knowing that
someone’s got three children, or that somebody
does triathlons, convinces them that you’ve done
your homework and you’re not just checking a box.
For instance, you don’t want to shoot India during
the monsoon season, unless you’re doing a story on
water and its effects. Plan really carefully because
budgets just don’t exist the way they did, so you
have to spend the money wisely and research
enables that.
5
Have a clear vision
Put yourself in the shoes of the reader. If you
have an assignment to photograph a little town in
autumn, you have to realise you’re serving a reader
who’ll probably never visit it. You have to show them
what it looks and feels like. Give them a big picture,
then come down to a shop owner and then down to
the stuff that the town is known for... pumpkins or
whatever. You have to drill through things and the
only way to do that is to have a clear vision of what
you’re going to be doing.
6
Convey the experience
I always tell young photographers that it’s
really cool to fly backseat in an F/A-18, a T38 or an
F-16 – I’ve done a lot of flying in military aircraft
- but, at the same time, you have to realise that
your job is to convey that very visceral experience
back to the reader.
Kim Phuc, the
‘Napalm Girl’, 25
years later with
her then baby,
Thomas. Shot in
Canada for LIFE