lIn whose biography do
index entries include
“ambitious”, “bully”,
“callous”, “capricious”,
“charming”, “childlike”,
“competitive”, “cruelty”,
“rude”, “ruthless”,
“self-love”, “superior”,
“unpredictable” and
“untrustworthy”? The
designer Terence Conran’s.
Books, p
lFourteenth-century
Burgundians had some
very unusual eating
habits. They enjoyed
“pork in the shape of a
fish”, a chicken’s head
attached to a rabbit’s body,
and “a dozen gigantic eggs
in pork bladders”.
Books, p
CONTENTS 14.11.
ARTS
4
Cover story
Peter Jackson’s new
documentary compiled from
56 hours of behind-the-scenes
film shows the last moments
the Beatles were happy
6
Books
The crime writer Patricia
Cornwell reveals to Bryan
Appleyard the secrets of an
unusually difficult early life
12
Art
The reopening of the
Courtauld Gallery makes
the most of its masterpieces,
says Waldemar Januszczak
17
Film
At the age of 91, Clint
Eastwood rides again,
writes Tom Shone
BOOKS
21
Lead review
Terence Conran — an inspired
designer who was also
callous, cruel and bullying
22
Diaries
The secret notebooks that
take us inside the warped
mind of Patricia Highsmith
24
History
Dominic Sandbrook hails
a thrillingly colourful
account of a mysterious
lost European empire, below
28
Fiction
Joan Smith’s pick of the
month’s best crime novels
24
The Sunday Times
Bestsellers
DAVID SHOUKRY
TV & RADIO
29
TV & Radio
The best guide to the
week’s programmes
Cover The Beatles.
Photographs ©Apple Corps
Ltd and Ethan A Russell ALAMY
© Times Newspapers Ltd, 2021. Published and licensed by Times Newspapers Ltd, 1 London Bridge Street, London SE1 9GF (020 7782 5000). Printed by Prinovis UK Ltd, Liverpool. Not to be sold separately.
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Josh O’Connor shot to fame
playing the young Prince
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new Sunday Times Culture
Show on Friday, he talks
about his latest film,
Mothering Sunday, starring
Colin Firth and Olivia Colman,
adapted from the novella by
Graham Swift.
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Oliver and Grant Tucker will
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and the Sunday Times and
Times YouTube channel.
WATCH THE CULTURE SHOW
Rachel Nicholls: “I always want to sing in a
language that the audience understands”
Opera, page 18
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