Architectural Design

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1st ProofTitle: BA: Architectural Design
Job No: PD0710-67/4028

Chapter 3 final (3.4)_.qxd:layouts to chapter one 7/24/10 11:07 AM Page 146


Development and detail

The design project

The student experience

This section describes the activities of a group of architecture
students during the last six weeks of a 12-week design
studio project. At this stage they were expected to develop
their design for an outdoor theatre in detail.

Development

At the interim review each student presented their process
work (early sketch ideas and analysis) and orthographic
drawings of their proposal to scale and in context. This
allowed the visiting critics and fellow students to understand
the proposal, as well as the reasoning behind it, and to
give feedback. The discussion focused on ways to develop
successful ideas further; strategies to edit projects where too
many ideas were making them confusing; issues to consider
that had been neglected; and advice on whether to reject or
rethink ideas that were flawed.
Students were encouraged to increase the complexity
of their initial proposal. They tried different design tools
and used overlay paper to work on their existing drawings.
Design was interrogated at small scale (‘where should
the entrance to the building be located?’) and large scale
(‘what route will the audience take to arrive at the theatre?’).
Students were asked to develop and use their concept to
bring hitherto unconnected elements together.

Detail

Students’ ideas about materials had begun to form early
on through model making, drawing and from looking at built
precedents. They were also able to use their knowledge of
structures, environmental science and construction to help
to answer questions raised by their project (such as, ‘how
will it stand up?’). Each designer was encouraged to develop
certain areas in more detail, focusing on those that were
best understood and most closely related to the concept
(for example, ‘in a project about light, how should the
windows be designed?’). The resulting design detail informed
further design work on the rest of the building, which in turn
informed further decisions. It was also important to learn that
technology, which can be viewed as a constraint, also has
the potential to generate architectural concepts.

Model montage of tea house
Outdoor theatre for Romeo and Juliet
by Rodolfo Acevedo Rodriguez. In
order to best represent the reality of
the project on site before it has been
built, the designer montaged a model
on to site photographs.

Materials study
A Midsummer Night’s Dream,
by U Ieong To. The materials, their
quality, source and application have
been represented in this study.

Text
1st ProofTitle: BA: Architectural Design
Job No: PD0710-67/4028

Chapter 3 final (3.4)_.qxd:layouts to chapter one 7/26/10 7:38 AM Page 146

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