The Blackwell Companion to Hinduism

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commissions him to compose the story of the ideal person, Ra ̄ma, just identified
as such by the sage Na ̄rada.
This continuity lies not only in the extended period over which both epics were
growing to their present dimensions but also in the way that both were taken up
by all succeeding periods both culturally and religiously, so that they have
become part of the very fabric of the culture. Indeed, they have been used not
only in support of traditional orthodoxy, as one might expect, but also by many
marginalized groups who have found a special affinity with one of their char-
acters; for example, Sı ̄ta ̄’s trials have enabled women to air the problem of a
husband’s neglect, Ra ̄vana’s defiance of the establishment has been glorified by
some South Indians and some outcaste groups, and Va ̄lmı ̄ki has become central
to the beliefs of one untouchable group. Such selective appropriation of the
epic narratives serves to underline both their richness and their flexibility.
Yet the position of the epics within Hindu culture is even more basic than that:
A. K. Ramanujan’s assertion that no Indian ever hears the Ra ̄ma ̄yan.astory for
the first time conveys the very real truth, applicable to both epics, that their
stories and their characters are integral to every Hindu’s consciousness.


Bibliography


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