THINKING THROUGH DRAWING: PRACTICE INTO KNOWLEDGE 107
Patrick Tresset and Frederic Fol Leymarie
constant use of visual feedback during the drawing
activity. It will also have a priori knowledge of what
a face is, and how to represent it.
1 The production of computational abstract art
works has been far more prolific (Whitelaw,
2004), but covers a too wide range to be as rel-
evant to perception and our attempt to open the
window on the artist’s mind.
2 Refer to Simon Colton’s research at Imperial Col-
lege London on emotionally driven painterly
4 ROS, Robotic Operating System, http://www.ros.
5 YARP, Yet Another Robotic Platform, http://eris.
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Figure 4. Sketch of Stella by Paul the robot,
Tenderpixel Gallery, London, U.K., June 2011.
Figure 5. Sketches series by Paul, Tenderpixel
Gallery, London, June 2011.