60 THENEWYORKER,DECEMBER6, 2021
somewhere—the ref lection from a
desk lamp exploding like a dead star.
During the calls, she tries not to look
at her own face, her long hair, her
eyes through the smudged lenses of
her glasses, the crepey skin of her
neck—how vain! Or Daniel wander-
ing around behind her as if it isn’t
much his business: communication,
children.
Did he get that from his father?
It would have been a reasonable ques-
tion to ask, a thing to discuss: genet-
ics, epigenetics, heredity, personality.
Moving on to energy, the extraordi-
nariness of light, quantum mechan-
ics, the whole wave-and-particle
thing she’s never understood though
she’s trying, something about collaps-
ing electrons, neutrons. Entangle-
ment, et cetera.
But the point is, did he get that
from his father?
Law school. Chicago. 1973. Around
the time they first met, Daniel had
told Mary Jane how toward the end
of his parents’ lives—Daniel a late ad-
dition—his mother and father spoke
only through the dog.
Mom would say, “Tell Carl yada
yada,” and then Dad would say, “Tell
Barb I’m aware of that, but I thought
we’d first yada yada yada yada.”
Six yadas. That must have been
some conversation.
You get the idea.
What breed?
This isn’t about the dog.
But if it were a basset hound or
something, with those ears, I could
picture it, an ear like a walkie-talkie.
That would have been funny.
It wasn’t funny.
Sorry.
She was a mutt. Regular ears.
A hound mutt?
Newfie mutt. Curly black hair. A
little white on her chest. Never mind,
Daniel said, and went back to his
cheesecake.
Where had they been? The stu-
dent union. A booth. This after the
class with the professor who had stud-
ied with Nabokov at Cornell, the two
of them laughing at the idea of the
professor, lost in Cornell winters, tee-
tering on the icy edge of the gorge,
then, once the weather cleared, join-
ing Professor N. to bound through
high meadows in search of lepidop-
tera. Daniel had ordered the cheese-
cake with the canned, viscous red
cherries lumped on top, the gooey
cherry sauce. He ate it with a plastic
fork. She drank coffee. Black coffee
from a Styrofoam cup. She remem-
bers best the look of Daniel’s hands.
Beautiful hands. Surgeon’s hands.
Hand-model hands. His nails filed
or just naturally rounded smooth.
Why does it matter? The look of
Daniel’s hands? The look of the cher-
ries on top of the cheesecake? But
Mary Jane would say of first loving
her husband: plastic fork, cheesecake,
viscous cherries.
T
his particular episode, if Mary Jane
were to ask Daniel, features a cou-
ple from Ontario interested in expand-
ing their brood. As young profession-
als leading very busy lives, they have
decided to knock out a few walls and
to reconfigure the attic to accommo-
date their growing family. Unlike so
many others, this show is not about
the speed of the renovation but about
quality and structural integrity. The
young couple, thumbing through vol-
umes as heavy as the O.E.D., have
learned that the attic was originally a
third floor before being converted in
the very early twentieth century to an
attic, or what was then called a ghost
floor. Given the number of children
who did not make it past infancy, and
accounting for the devastation of the
influenza epidemic at the close of the
First World War, these ghost floors al-
lowed parents to literally push daily re-
minders of past lives from their minds,
allowed the house itself to annex the
space and leave it empty. On the ghost
f loor, the quiet had dimension and
weight, an unspeakable presence.
CULTURE
They say paratroopers still yell Geronimo when they jump
Because of a movie the first ones saw the one with Geronimo
Played by Chief Thundercloud the first Tonto real name
Victor Daniels not the one with him played by Chuck Connors
Who played for the Dodgers and later played the Rifleman
Which became a nickname of Flemmi a mob killer in Boston
In real life he came home to find soldiers had killed his aged
Mother his young wife and his children that not in the movie
Somewhere sometime someone must have yelled Geronimo
When committing atrocities or about to or some such redolent
Word or phrase that too a kind of poetry even official jargon
A kind of poetry Bless comedy for an opposite rude poetry
They told me Germans murdered our cousins so I was mean
To a younger boy Leander his German parents Nana’s tenants
Good pitching beats good hitting and vice versa I never
Said half of what I said Bless Yogi Berra leaving it knotted
Bless all things that are more than one thing and all people
For our unwitting and witting witless improvised mixtures
Bless truth Bless things never known to be true or not true for
Showing me my impurity in proportions unknowable and vital