Chris Nelson. Master Guide for Glamour Photography: Digital Techniques and Images. 2007

(C. Jardin) #1

I asked. “Well, yes,” she said, “but mostly it’s because of how much I’m
going to like it when I’m seventy.”
A Racy Wedding Gift. Barb (above) came to the studio for her bridal
session with her friend and maid of honor, Pam, who provided moral support
and helped with her dress. We did a great set of bridal images, both tradi-
tional and more fashion-oriented. Barb then went into the dressing room to
change. A minute later, however, Pam came back out. “Barb wants to do
something racy, to give to Eric as a wedding gift,” she said.
We did a number of poses in her white bridal lingerie—a bustier, garter
belt, and white stockings—however, her choice for his gift was basically a
nude. Shot from straight above, Barb laid face up on the train of her dress.
We draped her cathedral-length veil over her otherwise naked body to soften
the lines of her body and partially conceal it. She was so proud of the image
that she brought her mother in to see it before we printed it! Barb and I de-
signed an album with her favorite images and we made a wall portrait of the
image described above for her bedroom.
A Group Session.Fawn, Laura, and Jennifer decided that a glamour ses-
sion would be fun for a group birthday celebration. The trio was after a fash-
ionably sexy look with little black dresses, lacy tops, and a little lingerie
(facing page, left and bottom).
While they each wanted appealing shots individually, they all wanted a
really “hot” image of the three of them together (facing page, top right).
They wanted the portrait for themselves, but they also wanted one for each


8 MASTER GUIDE FOR GLAMOUR PHOTOGRAPHY


This bride came to the studio for wedding por-
traits, but then decided that she also wanted
to create a very special wedding gift for her
husband-to-be.
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