THE 100 MOST INFLUENTIAL MUSICIANS OF ALL TIME

(Ben Green) #1
7 The 100 Most Influential Musicians of All Time 7

immediate successor, Axis: Bold as Love, followed that
December. Hendrix was flown to California for a scene-
stealing appearance at the Monterey Pop Festival, which
rendered him a sensation in his homeland less than a year
after his departure.
Relocating back to the United States in 1968, he
enjoyed further acclaim with the sprawling, panoramic
double album Electric Ladyland, but the second half of his
career proved frustrating. Legal complications from an
old contract predating his British sojourn froze his record-
ing royalties, necessitating constant touring to pay his
bills; and his audiences were reluctant to allow him to
progress beyond the musical blueprint of his earliest
successes. He was on the verge of solving both these
problems when he died of an overdose of barbiturates. In
his all-too brief career, Hendrix managed to combine and
extend the soaring improvisational transcendence of John
Coltrane, the rhythmic virtuosity of James Brown, the
bluesy intimacy of John Lee Hooker, the lyrical aesthetic
of Bob Dylan, the bare-knuckle onstage aggression of
the Who, and the hallucinatory studio fantasias of the
Beatles. His work provides a continuing source of inspi-
ration to successive generations of musicians to whom
he remains a touchstone for emotional honesty, techno-
logical innovation, and an all-inclusive vision of cultural
and social brotherhood.

Joni Mitchell


(b. Nov. 7, 1943, Fort McLeod, Alta., Can.)

C


anadian experimental singer-songwriter Joni Mitchell
(born Roberta Joan Anderson) enjoyed her greatest
popularity in the 1970s. Like her contemporary of the 1960s,
Bob Dylan, she helped turn pop music into an art form.
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