The “drama of existence”: sources and scope in a Modern African State,” “And After the Narcissist?,” “Climates of
Art” and “The Credo of Being and Nothingness.” And it is particu-
larly relevant, as we have seen in our discussion ofFrom Zia with Love,
to Soyinka’s great dramas and is perhaps the most appropriate frame
for the detailed exploration of Soyinka’s greatest dramatic creations to
which we now turn in the next chapter of this study.