Digital Camera World - UK (2019-08)

(Antfer) #1

WHICH FILTER DO YOU NEED? HERE’S A ROUGH GUIDE


The effect or benefits that many filters provide just can’t be replicated during the editing stage. Get it right in-camera!

SUMMER SCENES

http://www.digitalcameraworld.com AUGUST 2019 DIGITAL CAMERA^45


EXPERIMENTING WITH SPECIALIST SKY AND SUNSET FILTERS


Move away from the standard filter options and take a look at Lee Filters’ Sunset and Sky Grad filter sets

1


The Sky Blue filter
A green-blue graduated option to
add a realistic blue hue to flat skies. It
comes with a Hard or Soft gradation.

2


The Coral Stripe filter
This creates a warm glow on the
horizon, or can be placed strategically in
the frame to warm a particular section.

3


The Sunset Yellow filter
An extra deep coating allows this
filter to be used as a standard or a grad.
It adds warmth to sunset landscapes.

CIRCULAR POLARISER
By removing polarised light to
reduce reflections and glare,
polarisers also boost colour
saturation – making sunny
blue skies more vivid. Circular
filters are the easiest to use.

GOOD FOR:


  • Enhancing blue skies

  • Boosting saturation

  • Minimising reflections


NEUTRAL-DENSITY (ND)
Named because they give a
neutral colour cast, ND filters
act almost as lens sunglasses,
darkening shots and enabling
the use of longer exposures
in very bright conditions.

GOOD FOR:


  • Smoothing water

  • Blurring clouds

  • Reducing light levels


GRADUATED ND
These filters are only half-
coated, so that you can
balance a sky that’s much
brighter or darker than the
land. Use them to expose
scenes of high contrast.

GOOD FOR:


  • Balancing exposure

  • Enhancing bright skies

  • Reducing contrast


ULTRAVIOLET (UV)
UV radiation in summer can
create haziness in photos
(which increases at altitude).
A UV filter can reduce haze –
and protect the front of
lenses from scratches.

GOOD FOR:


  • Lowering haze

  • Avoiding lens damage

  • Protection from dust


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