essential skills: digital photography in available light
Refl ectors
Fill-light can occur naturally by light bouncing off refl ective surfaces within the scene. It can also
be introduced by refl ectors strategically placed by the photographer. This technique is often used
to soften the harsh shadows cast on models in harsh sunlight.
The primary considerations for selecting a refl ector are surface quality and size.
Surface quality
Refl ectors can be matt white, silver or gold depending on the characteristics and color of light
required. A matt white surface provides diffused fi ll-light whilst shiny surfaces, such as silver or
gold, provide harsher and brighter fi ll-light. Choosing a gold refl ector will increase the warmth of
the fi ll-light and remove the blue cast present in shadows created by sunlight.
Size
Large areas to be fi lled require large refl ectors. The popular range of refl ectors available for
photographers are collapsible and can be transported to the location in a carrying bag. A refl ector
requires a photographer’s assistant to position the refl ector for maximum effect. Beyond a certain
size (the assistant’s ability to hold onto the refl ector on a windy day) refl ectors are often not
practical on location.
ACTIVITY 2
- Select two examples where fi ll-light has been used to soften the shadows created by a harsh
direct light source. Comment on the likely source of the fi ll-light used in each image. - Create an image by experimenting with different refl ectors to obtain different qualities of fi ll-
light. Keep a record of the type of refl ector used with each image and the distance of the refl ector
from the subject.
Natural fi ll - Mark Galer