Multimodal Stylistics – The Happy Marriage of Stylistics and Semiotics 259REFERENCES
Baldry, A. and Thibault, P. J. (2006), Multimodal Transcription and Text Analysis. London
and Oakville: Equinox.
Bateman, J. A. (2008), Multimodality and Genre. A Foundation for the Systematic Analysis of
Multimodal Documents. Hampshire and New York: Plagrave MacMillan.
Boeriis, M. (2008), ̳A mode instantiation model‘, in N. Norgaard (ed.), Systemic Functional
Linguistics in Use, Odense Working Papers in Language and Communication, 29, 237–
250.
Currie, G. (2004), ̳Cognitivism‘, in T. Miller and R. Stam (eds), A Companion to Film
Theory. Oxford: Blackwell Publishing, 105 – 122.
Forceville, C. (1996), Pictorial Metaphor in Advertising. London and New York: Routledge.
Forceville, C. and Urios-Aparisi, E. (eds) (2009), Multimodal Metaphor. Berlin: Walter de
Gruyter.
Gibbons, A. (2010), ̳―I contain multitudes‖: Narrative multimodality and the book that
bleeds‘, in R. Page (ed.), New Perspective on Narrative and Multimodality. London:
Routledge, 99-114.
Halliday, M. A. K. (1994), An Introduction to Functional Grammar (2nd ed.). London, New
York, Sydney, Auckland: Arnold.
Hodge, R. and Kress, G. (1988), Social Semiotics. New York: Cornell University Press.
Kress, G. and Van Leeuwen, T. (1996), Reading Images: The grammar of visual design (1st
ed., 2nd ed. 2006). London and New York: Routledge.
Kress, G. and Van Leeuwen, T. (2001) Multimodal Discourse: the modes and media of
contemporary communication. London: Arnold.
Kress, G. and Van Leeuwen, T. (2002), ̳Colour as a Semiotic Mode: Notes for a grammar of
colour‘, Visual Communication 1 (3), 343-368.
Machin, D. (2007), Introduction to Multimodal Analysis. London: Hodder Arnold.
McIntyre, D. (2008), ̳Integrating multimodal analysis and the stylistics of drama: a
multimodal perspective on Ian McKellen‘s Richard III‘, Language and Literature 17 (4),
309-334.
Montoro, R. (2010), ̳A multimodal approach to mind style: Semiotic metaphor vs.
multimodal conceptual metaphor‘, in R. Page (ed.), New Perspectives on Narrative and
Multimodality. New York and London: Routledge, 31-49.
Nørgaard, N. (2009b), ̳The Semiotics of Typography in Literary Texts: a multimodal
approach‘, Orbis Litterarum 64 (2), 141-160.
Nørgaard, N. (2010a), ̳Multimodality and the Literary Text: Making Sense of Safran Foer‘s
Extremely Loud and Incredibly Close‘ in Page, Ruth (ed.) New Perspectives on Narrative
and Multimodality. London and New York: Routledge, 115-126.
Nina Nørgaard (2010b), ̳Multimodality: Extending the stylistic tool kit‘, in B. Busse and D.
McIntyre (eds), Language and Style. Houndmills, Basingstoke: Palgrave, 433-448.
Nørgaard, N. (2010c, fc), ̳Teaching multimodal stylistics‘, in L. Jeffries and D. McIntyre
(eds), Teaching Stylistics. London: Palgrave Macmillan.
O‘Halloran, K. (2005), Mathematical Discourse. Language, symbolism and visual images.
London and New York: Continuum.