Encyclopedia of Sociology

(Marcin) #1
ASIAN-AMERICAN STUDIES

well as in a specific sense, that is, in terms of
institutional norms, professional training, reward,
and patronage or other support. To approach art
as a part of society’s culture, Zolberg argues, is no
more potentially reductionist than to treat it, as
aestheticians do, as an activity that only restricted
groups with special interests and knowledge can
hope to comprehend. Literature in the field is
growing at a rapid rate as intellectual barriers
between humanistic and social science approaches
to the study of art begin to crumble.


REFERENCES


Adorno, Theodor (1962) 1976 Introduction to the Sociolo-
gy of Music. New York: Seabury Press.


Albrecht, M. C., J. H. Barnett, and M. Griff (eds.) 1970
The Sociology of Art and Literature: A Reader. New
York: Praeger.


Alexander, Victoria D. 1996 Museums and Money: The
Impact of Funding on Exhibitions, Scholarship, and Man-
agement. Bloomington: Indiana University Press.


Balfe, Judith Huggins (ed.) 1993 Paying the Piper: Causes
and Consequences of Art Patronage. Urbana: University
of Illinois Press.


Becker, Howard S. 1982 Art Worlds. Berkeley: University
of California Press.


Bourdieu, Pierre (1979) 1984 Distinction: A Social Cri-
tique of the Judgment of Taste. Cambridge, Mass.: Har-
vard University Press.


Bowler, Anne 1994 ‘‘Methodological Dilemmas in the
Sociology of Art.’’ In Diana Crane, ed., Sociology of
Culture. Oxford: Blackwell.


Crane, Diana 1987 The Transformation of the AvantGarde:
The New York Art World 1940—85. Chicago: Universi-
ty of Chicago Press.


Foster, Arnold W., and Judith R. Blau (eds.) 1989 Art
and Society: Readings in the Sociology of the Arts. Albany:
State University of New York Press.


Gans, Herbert J. 1974 Popular Culture and High Culture:
An Analysis and Evaluation of Taste. New York: Ba-
sic Books.


Greenfeld, Liah 1989 Different Worlds: A Sociological
Study of Taste, Choice and Success in Art. Cambridge,
England: Cambridge University Press.


Griswold, Wendy 1986 Renaissance Revivals: City Comedy
and Revenge Tragedy in the London Theater, 1576–
1980. Chicago: University of Chicago Press.


Lang, Gladys Engel, and Kurt Lang 1990 Etched in
Memory: The Building and Survival of Artistic Reputa-
tion. Chapel Hill: University of North Carolina Press.


——— 1996 ‘‘Banishing the Past: The German Avant-
Garde.’’ Qualitative Sociology 19:323–343.
Peterson, Richard A. (ed.) 1976 The Production of Cul-
ture. Beverly Hills, Calif.: Sage Publications.
Rueschemeyer, Marilyn 1993 ‘‘State Patronage in the
German Democratic Republic.’’ In Judith Higgins
Balfe, ed., Paying the Piper. Urbana: University of
Illinois Press.
White, Harrison C., and Cynthia A. White 1965 Canvasses
and Careers: Institutional Change in the French Painting
World. New York: Wiley.
Wilson, Robert N. (ed.) 1964 The Arts in Society. Englewood
Cliffs, N.J.: Prentice-Hall.
Wolff, Janet 1992 ‘‘Excess and Inhibition: Interdisciplinarity
in the Study of Art.’’ In Lawrence Grossberg, Cary
Wilson, and Paula A. Treichler, eds., Cultural Studies.
New York: Routledge Press.
Zolberg, Vera L. 1990 Constructing a Sociology of the Arts.
New York: Cambridge University Press.
———, and Charbo, Joni M. (eds.) 1997 Outsider Art.
New York: Cambridge University Press.

GLADYS ENGEL LANG

ASIAN-AMERICAN STUDIES


The term Asian American is used in the United
States by federal, state, and local governments to
designate people of Asian descent, including Pa-
cific Islanders (residents from the Pacific islands
that are under U. S. jurisdiction, such as Guam,
American Somoa, and the Marshall Islands). Al-
though historically relevant and geographically
appropriate, inclusion of the Pacific islands in the
generic term Asian American stemmed from ad-
ministrative convenience for the federal govern-
ment rather than from race or ethnic identifications.

Reflecting deep-seated prejudices against peo-
ple of color, in 1917 the Congress of the United
States created the Asiatic Barred Zone, which
stretched from Japan in the east to India in the
west. People from within the zone were banned
from immigration. The geographic concept was
incorporated into the Immigration Act of 1924
(Oriental Exclusion Act), a law that had a pro-
found impact on the demographic structure of
Asian-American communities as well as on U.S.
foreign policy. Although it is generally assumed
that the term Asian American has a racial basis,
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