25bh | victorian house132 | 25bh october 2017
l e s s o nlearntâWe wanted everyspace to have a bitof light-heartedhumour â even thesmallest ones, andwe worked with theesoteric shapes ofthe rooms, ratherthan trying todisguise themâ###### discovering a new angle sums upcheryl and andyâs approach totheir london home, where theyhave looked beneath its formalVictorian style to reveal something sharperand altogether more intriguing. theirmasterstroke was slicing decisively throughthe houseâs traditional core, insertingsections of glass and crisp lines, so that theonce buttoned-up 19th-century space nowflows with renewed energy.cheryl and andy have succeeded insolving an architectural puzzle that has lainat the heart of this Fulham home since itwas built. itâs not obvious at first, but thefloor plan of this handsome double-frontedhouse is more trapezium than rectangle âprobably the result of bickering Victorianbuilders when the land was divided up. itmeans that the houseâs two exterior sidewalls gently angle inwards, meeting in apoint at the end of a wedge-shaped garden.Given his work as a property developer,andy was unfazed by this. âiâm used tofinding solutions to unusual problems,â hesays. cheryl was less blasé. âthe irregularangles were a bit scary and complicated, andhad put off several other buyers,â she says.but neither andy nor cheryl are in thehabit of shirking a challenge. and andyâsphilosophy â to work with the problemrather than trying to disguise it â has paidoff. âin the end, the wall angles were thedriving force behind the houseâs redesignand architecture,â he says. the tapered,triangular floor spaces seemed to be crying
nancy kaufman
(Nancy Kaufman)
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