Handbook for Sound Engineers

(Wang) #1

1006 Chapter 26


The alarms on the left side of the remote are for
Phase Error, Bit Stream Corruption, and Full Scale. Fig.
26-13 is a block diagram of the loudness meter of
Fig. 26-12.


With signal input both meters read the audio in the
same dynamic way. Each meter displays 20 dB of Peak
Amplitude above the 0 VU persistence reference level,
and therefore, 0 reference is the same on both.


The use of a dot display for Peak information and a
bar display for Persistence information allows a single
display for both ballistics. Each lamp in the display is
therefore driven by two drivers, one for peak, the other
for persistence. This representation presents a display of
a dot riding on top of a bar graph. In order to make this
display useful, there has to be a meaningful relationship
between the two ballistics. The peak display has a rise
time of two time constants, or 10μs, which is 1000


times faster than the PPM. The decay time for the peak
display is 18 ms/dB.
Equal energy, properly weighted for program mate-
rial, will be discerned as equal in loudness. Since energy
can be displayed as a function of amplitude and time, an
oscilloscope can be used to confirm that large ampli-
tudes of short tone bursts can be equal to longer tone
bursts of lower amplitude.
Average power is defined as equal to the area under
the curve divided by the time interval. Since the area is
equal to the input energy, W or watts, during the
interval,

(26-7)

where,
W is in watts,
t is in seconds.

Thus, the averaging-type metering can provide an indi-
cation of power.
The persistence display has a time constant of
270 ms and a rise time of approximately 600 ms or
twice as long as that of a VU meter.
Perceived loudness to the ear from source to source
is determined by which circuit (peak or persistence) is
first to illuminate its respective set of red LEDs.
Program adjustments for equally perceived loudness
should be holding either the peak or persistence excur-
sions to its corresponding red LED area.
The relative loudness characteristic of the Peak to
the bar graph has been retained by way of red LED
reference points on both meters. This is the window of
12 dB of separation of the Peak from the Average for
maintaining equal loudness. The +12 dB analog and
8 dB digital are the same scale points on both meters.

26.10 Surround Sound Analyzer

The surround sound analyzer method translates the
important details of surround signals into a graphical
display suited for instant evaluation. Successful mixing
of surround signals is important. Besides the artistic and
aesthetical aspects, there are fundamental technical
preconditions for obtaining professional results.
Reality is often far from the ideal, particularly during
live broadcasts and in audio production for video or TV.
This makes it even more important to know, even in the
most hectic working environment, how the surround
mix will be perceived by the listener.
The RTW Surround Sound Analyzer—e. g., inte-
grated in the RTW SurroundMonitor, Fig. 26-14—is a

Figure 26-12. .The meter scale for a gain-riding device with
both a normal persistence range (much like VU readings)
and a normal peak range. Courtesy Dorrough Electronics.


A. Analog reading B. Digital reading

C. Remote control

Pave W
t

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