546 Chapter 16
side (stereo difference) signal of the MS microphone
may be decoded into useful left and right stereo signals.
The mid cartridge signal’s relation to the mono sum
signal, and the side cartridge signal’s relation to the
stereo difference signal, can be expressed simply by
(16-28)
(16-29)
Solving for the left and right signals,
(16-30)
(16-31)
Therefore, the left and right stereo signals result
from the sum and difference, respectively, of the mid
and side signals. These stereo signals can be obtained
by processing the mid and side signals through a sum
and difference matrix, implemented with transformers,
Fig. 16-119, or active circuitry. This matrix may be
external to the M/S microphone or built-in.
In theory, any microphone pattern may be used for
the mid signal pickup. Some studio M/S microphones
provide a selectable mid pattern. In practice, however,
the cardioid mid pattern is most often preferred in M/S
microphone broadcast applications.
The AKG C422 shown in Fig. 16-120 is a studio
condenser microphone that has been specially designed
for sound studio and radio broadcasting. The micro-
phone head holds two twin diaphragm condenser
capsules elastically suspended to protect against
handling noise.
The wire-mesh grille is differently colored at the two
opposing grille sides (light is the front grille side; dark
is the rear grille side), thereby allowing the relative
position of the two systems to be visually checked. The
entire microphone can be rotated 45° about the axis to
allow quick and exact changeover from 0° for M/S to
45° (for XY stereophony) even when the microphone is
rigidly mounted. The upper microphone cartridge can
be rotated 180° with respect to the lower one. A scale
on the housing adjustment ring and an arrow-shaped
mark on the upper system allows the included angle to
be exactly adjusted. In sound studio work and radio
broadcasts, it is often necessary to recognize the respec-
tive positions of the two systems from great distances;
therefore, two light-emitting diodes with a particularly
narrow light-emitting angle are employed. One is
mounted in the upper (rotatable) housing, and the other
in the lower (nonrotatable) housing. To align the heads,
simply have the units rotated until the light-emitting
diode is brightest on the preferred axis.
Enclosed within the microphone shaft are two sepa-
rate field-effect transistor preamplifiers, one for each
channel. The output level of both channels may be
simultaneously lowered by 10 dB or 20 dB.
The C422 is connected to an S42E remote-control
unit that allows any one of nine polar patterns to be
selected for each channel. Because of noiseless selec-
tion, polar pattern changeover is possible even during
recording.
Figure 16-119. Transformer sum and difference matrix for
M/S microphones.
M^1
2 LR+
=---------------------
S^1
2 LR–
---------------------=
LMS+=
RMS–=
Brn
Red
Vio
Grn
Blu
Blk
Wht
Brn
Red
Vio
Grn
Blu
Blk
Wht
Orn
Yel
Gry
Orn
Yel
Gry
3 2 1 3 2 1
3 2 1 3 2 1
Center
microphone
Sides
microphone
Left
channel
Right
channel
Figure 16-120. Schematic of the AKG C422 coincident
microphone. Courtesy AKG Acoustics, Inc.
Transducer 2
Transducer 1
60 V
12 V
K M D C J B A
MK 42/20
S 42 E
CH. 1
CH. 2