742 Chapter 21
be considered when the number of microphones
required for the sound system is four or greater.
When used in a sound reinforcement system, an
automatic microphone mixer provides a significant
increase in gain before feedback when multiple micro-
phones must be used without a sound engineer. It also
improves the quality of the sound system output by
reducing the amount of extraneous room sound being
picked up, and by reducing comb filtering. In addition,
it automatically adjusts system gain to compensate for
the number of microphones in use at any instant. Thus,
an automatic microphone mixer attempts to provide the
same system control that might be produced by a human
sound engineer.
As automatic microphone mixers are optimized for
speech applications, their use in musical applications is not
recommended. Mixing microphones for music is as much
art as science, and therefore the artistic judgment of a
human sound engineer is much preferred to the electronic
decision process of an automatic microphone mixer.
In summary, when used in a speech sound system
with multiple microphones, the ideal automatic micro-
phone mixer assures that the number of active micro-
phones at any moment equals the number of active
talkers at the same moment. All unused microphones at
that moment are attenuated.
21.3.1 The Audio Problems Caused by Multiple
Open Microphones
High-quality audio becomes progressively more diffi-
cult to achieve as the number of open microphones
Figure 21-12. Block diagram of the Cooper Sound CS 104.
Figure 21-13. Signal path schematic of Jensen Twin-Servo 990 microphone preamplifier. Courtesy Jensen Transformers, Inc.
Mic gainline
mic 1mic 2
mic 3
Mic gainline
mic 1mic 2
mic 3
Mic gainline
mic 1mic 2
mic 3
Mic gainline
mic 1mic 2
mic 3
1
2
3
4
Tapemonitor
in
Mic pwr48P/12T
Mic pwr48P/12T
Mic pwr48P/12T
Mic pwr48P/12T
Linepad
Linepad
Linepad
Linepad
PhaseN/R
PhaseN/R
XFMR
Amp
Amp
Amp
XFMR
XFMR
XFMR
HP filt1 & 2
HP filt1 & 2
HP filt1 & 2
HP filt1 & 2
O/L
Det
Buf
Det
Buf
Det
Buf
O/L
O/L
O/L
Gain 1
Gain 2
Gain 3
Gain 4
Buf
Det
Amp
PFL
BusSel
Amp Pan
Pan
Stereolink
Amp
Amp
Amp Pan
Pan
Mix bus
Input
Stereolink
L
Master Amp
Pre/postoption
OSCslate
Mic
R
Amp
Master Amp
Lim
Lim
Link On
Lim
Lim
Directtape
Off
left
right
mono
stereo
M/S
Direct
option
Amp
Amp X
X
PFLBus
Se1
Mono
Amp
Amp
XFMR
Atten
Line
mic
Line
mic
Amp
Amp
Amp
Vol
Amp
Batt test
PK/VV
Phones
PK/VV
Tape
Unbal
R
Bal
Line
mic
Line
mic
XFMR
Amp
Amp
Amp
PFLBus
Sel
PFLBus
Sel
PFLBus
Sel
Amp
Mon level
Amp
6.81 KR2 7 7
p
Mic in
C1J1
+
(^220) 63VMF
200 R1
Chassis
(^23)
R3
p
68.1R4
S2
68.1 R5 7
150 7
Mic Z
Low
- 48 VDC
Phanton power
On
Off
S1
20 dB
Pad
0 dB
619 R8 7
169 R6 7
S3
619 R7 7
Invert
Norm
Polarity
S4 Red
Brn
Whi
JT T1 16
A
Yel
Blk
6.19 kR9 7
Org
10.0 R14 7
4.53 kR10 7
620 pFC2
15 kR13 7
470 nFC3
AD706A3a
1
2
(^3)
470 nFC4 1 MR12^7
1 MR11 7
470 pFC5
24
990
C
- A1
+24 R21
301 7
1.21 KR15 7
R16a1 k 7
43r2R17
Inc
470 nFC7 2 MR19 7
5
6
470 nFC6
Gain
301 kR20 7
A2
+24
990
C
470 pFC8
2 MR18 7 43.2 R23^7
R16b1 k 7
1.21 kR22 7
Inc
24 JT^ OLI^3
JT
11 T2 BM
Brn
Red Yel^3
(^2) P1
Line out
1
7
AD706A3b
6.81 K 7
7