Preamplifiers and Mixers 755
employ very subjective descriptions that have to be inter-
preted into quantitative engineering terms that can then
be applied, measured, and included in system designs.
Teleconference participants expect good speech intelligi-
bility, easy identification of the talker, relatively high
SNR, and other qualities. They also expect the overall
aural experience to be better than a conversation
conducted via telephone handsets.
An audio conferencing installation for voice and
program has four primary facets:
- Conference room and building acoustics.
- Interface with telephone/transmission system.
- Possible secondary use as a sound reinforcement
system. - Proper equipment selection and setup.
21.3.6 Room and Building Acoustics
21.3.6.1 Conference Room Noise
The first consideration for a teleconference installation
is noise in the room. Obvious noise sources, like heating
and air conditioning systems, should be evaluated and
specified for acceptable levels. External noise must also
be considered:
- Conversations in hallways or adjacent offices.
- Business machines in adjacent spaces.
- Elevators on opposite sides of the wall.
- Water flow in building services.
- Vibration of air conditioners on the roof.***
- Loading docks
There will also be unwanted noise generated in the
conferencing room itself:
- Fans in projectors and computers.
- Hum from light fixtures.
- Paper shuffling.
- Moving chairs.
- Coughing.
- Side conversations.
All of these undesired sound sources are much more
obvious, annoying, and detrimental to intelligibility at
the remote site of the teleconference than they are in the
local site where they originate. Also, as the number of
participants increases, the geographic area covered by
the participants expands and unamplified speech
becomes harder to hear due to greater distances between
the talkers and the listeners. Consequently, for comfort-
able talking and listening, the ambient noise level in a
room must be lower for larger groups.
Table 21-1 provides recommended noise level limits
for conference rooms. These are levels at the conference
Figure 21-25. Block diagram of the E-1 automatic mixing controller. Courtesy Dan Dugan Sound Design.
Auto mix
depth
Level servo
Automixgain display gain display
On
Auto
Off
Speech
Music
System
Automix
threshold
Audio
input
Typical of 8 channels
Common
Music
system
threshold
input Musicsystem
threshold
input
Override
preset
mute
Logic and
control buses
Level servo
speed
Limiter
threshold
headroom NOM gain limit threshold
NOM master
NOMgain limit gain display
Gain sense
Level servolevel set VCA
Level servo
& limiter
Audio
VCA
Audio
output
CV in
Auto mix
Fader
Auto mix
CV output
Weighting
Figure 21-26. Vortex EF2280 digital multichannel acoustic
echo and noise canceller with a built-in automatic micro-
phone/matrix mixer. Courtesy Polycom, Inc.