one, either herself or someone else.
IOW, sheíll be going along swimmingly doing very very well and then sheíll stumble into
something and without even meaning to sheíll active something that is broken so to speak.
So, Virtual Reality really works best if its short. Get in, feel good, get out.
Get in, feel good, get out. So, you set the scene. What time of year is it? What time of day is
it? Where is it, outside, inside? You get to choose.
There is no right and wrong in that. What youíre reaching for are good-feeling moments. You
know those moments when your heart is just singing so strong and you just think ìI wish I could stay
here forever!î? Does that usually happen to you when youíre outdoors or indoors? If itís more often
outdoors, then pick a scene thatís outside. If itís more often indoors, then pick a scene thatís indoors.
Esther, quite often in her Virtual Reality, sheís walking into a new place that is very beautiful and
often itís indoors. Sometimes she finds herself discovering a magnificent vista, and that moment of
exhilaration is there. Thatís what youíre reaching for.
So you set the place and the time of year and the time of day, and then you talk to yourself about
how it smells and looks and feels. Youíre sort of bring yourself along little by little into this higher
higher better better good good feeling place. And then you decide who else is with you. Sometimes,
in the beginning, better to be alone, but not always. You get to decide that. Who else is there? And
whatís their mood? And, of course, you get to choose it so donít bring someone whoís in a bad
mood and then work them into a good mood.
Bring good mood people. And then exchange a few words ó and off you go.
And what will happen is, as you do this for 30 seconds, you set a tone in your vibration. Does it
immediately become your dominant tone or your dominant vibration? No. But it begins to dilute
what is. So then you do it again and you do it again and you do it again and you do it again, and you
donít do it because thereís something broken that you want to fix because if you do it because
thereís something broken that you want to fix, you just practice the one thatís already dominant.
This is only to feel good, only to feel good. And with a few weeks of dabbling at this, you will
readjust what is dominant within your vibration.
You see, the creative process is three steps.
The first step is you have to identify what is wanted and you canít help but do that. Preferences
are born within you all day every day. Contrast helps you to conclude. When you know what you
donít want, what you do want shoots out of you like a rocket. Whenever you know what you do not
want, clarity about what you do want comes forth in very vivid terms. So, Step 1 is happening all
over the place.
Step 2ís not your work. Source Energy will answer. Step 2 is the answering of what is being
asked and that is not you work.
Step 3 is your work. You must be in the receiving mode, you must be a vibrational
match, you must be vibrationally equivalent, you must not be vibrationally different, you must
not be vibrationally resistant, you must be vibrationally harmonious with that which you are
asking for. Thatís what ìbeing in the receiving modeî is. Youíve got to line up with your own
desire.
So, when you realize that Step 1 and Step 3 are not the same step, and you realize that you canít
help but offer Step 1 - itís happening all over the place - then we think it would be a good idea for