FINAL WARNING: The Curtain Falls
remember– which you know but we do not, nor have we heard them.”
The apocryphal Gospel of Philip refers to Mary as his “spouse,” and
says: “There were three who always walked with the Lord; Mary his
mother and her sister (Salome) and Magdalen, the one who is called
His companion (partner) ... the spouse (companion) of the Saviour is
Mary Magdalen ... (He) loved her more than all the disciples and used
to kiss her often on the mouth.” Near the end of the book, it says:
“There is the Son of Man and there is the son of the Son of Man. The
Lord is the Son of Man, and the son of the Son of Man is he who is
created through the Son of Man.” It was Mary Magdalene, who carried
the Grail, Sangraal, or ‘Royal Blood’ to France.Around 70 AD, Mary, the wife of Jesus, took his children, and fled the
Holy Land to escape the Roman destruction of Jerusalem. They made
their way to a Jewish community in Provence, in southern France,
where the lineage of Jesus, through marriage, was joined with the
royal family of the Franks (during the 5th century, the Sicambrians, a
Germanic tribe called the Franks, crossed the Rhine River into Gaul
into what is now Belgium and northern France), thus creating the royal
Merovingian dynasty. Within the Merovingian royal family, there were
many Judaic names. It is believed that she later died at Saint Baume.It could be that the Holy Grail, ‘Sang Raal,’ or ‘Royal Blood,’ could
actually represent the womb of Mary Magdalene, which produced the
bloodline. It is even conjectured that French cathedrals like Notre
Dame, were built in honor of Mary Magdalene, and not the mother of
Jesus.In 2003, according to a novel by Dan Brown called The Da Vinci Code,
the Prieuré de Sion deliberately manipulated the record of Mary’s role
in the life of Jesus to spare her family from Roman Catholic leaders
who sought to maintain the Biblical depiction. They used a code and
symbols to represent and preserve her story, which evolved into the
Holy Grail. In a ABC television documentary exploring the possibility
of Jesus being married, Brown uses Da Vinci’s (a Prieuré de Sion
member) painting of The Last Supper (c. 1495) as an example. A close
examination of the figure on Jesus’ right, long believed to be John,
actually looks like a woman, and he believes that it is actually a
representation of Mary. Art historians, however, only need to refer to
his painting 1516 painting of John the Baptist as proof of his penchant