150 Notes to pages 86– 95
5 Matthew A. Cohen, ‘How Much Brunelleschi? A Late Medieval
Proportional System in the Basilica of San Lorenzo’, JSAH 67,
no. 1 (March 2008): 18–57.
6 Cohen, ‘How Much Brunelleschi?’ 44 – 5.
7 Roberta Battaglia, ‘A First Collection of the Vedute di Roma:
Some New Elements on the States’, in The Serpent and the
Stylus: Essays on G. B. Piranesi, ed. Mario Bevilacqua, Heather
Hyde Minor & Fabio Barry (Ann Arbor: University of
Michigan Press for the American Academy in Rome, 2005),
93 – 119.
8 Battaglia, ‘A First Collection of the Vedute di Roma’, 99.
9 Antony Moulis, ‘Transcribing the Contemporary City: Le
Corbusier, Adelaide and Chandigarh’, From Panorama to
Paradise: Proceedings of the 24th Annual Conference of
the Society of Architectural Historians, Australia and New
Zealand. ed. Stephen Loo & Katharine Bartsch (Adelaide:
SAHANZ, 2007), cd-rom.
10 Moulis, ‘Transcribing the Contemporary City’, 7–8.
11 Moulis, ‘Transcribing the Contemporary City’, 8–9.
12 Ginzburg, ‘Spie’; Engl. edn, ‘Morelli, Freud and Sherlock
Holmes’. See ch. 1, n. 11.
13 Carlo Ginzburg, The Judge and the Historian: Marginal Notes
on a Late-Twentieth-Century Miscarriage of Justice, trans.
Anthony Shugaar ([1991], London and New York: Verso,
1999), 17.
14 Pieter Martins, ‘La destruction de Thérouanne et d’Hesdin par
Charles Quint en 1553’, in La forteresse à l’épreuve du temps.
Destruction, dissolution, dénaturation, XIe–XXe siècle, ed.
Gilles Blieck, Philippe Contamine, Christian Corvisier &
Nicolas Faucherre (Paris: Comité des travaux historiques et
scientifi ques, 2007), 63–117.
15 Compare Deidre Brown, Maori Architecture: From Fale to
Wharenui and Beyond (Auckland: Raupo, 2009).
16 Andrew Ballantyne, ‘Architecture as Evidence’, in Rethinking
Architectural Historiography, ed. Dana Arnold, Elvan Altan
Ergut & Belgin Turan Özkaya (London and New York:
Routledge, 2006), 38.
17 Maristella Casciato & Stanislaus von Moos (eds.), Twilight of
the Plan: Chandigarh and Brasília (Mendrisio: Mendrisio
Academy Press, 2007).
18 Stanislaus von Moos, ‘Vers une “Grille ChaBra”: Notes on the
Exhibition’, in Twilight of the Plan, ed. Casciato & von Moos,
39 – 40.