154 Notes to pages 125– 9
Luce Irigaray (Peg Rawes, 2007), Martin Heidegger (Adam
Sharr, 2007), Gilles Deleuze and Felix Guattari (Andrew
Ballantyne, 2007), Maurice Merleau-Ponty (Jonathan Hale,
2009) and Homi Bhabha (Felipe Hernandez, 2009). An older
example, tracking the reading programme of the University of
Nottingham’s MA in Architecture and Critical Theory, is Neil
Leach (ed.), Rethinking Architecture: A Reader in Cultural
Theory (London and New York: Routledge, 1997).
18 http://www.institute-ny.org (accessed 9 April 2009).
19 The series Oppositions Books, published by MIT Press,
included Alan Colquhoun, Essays in Architectural Criticism:
Modern Architecture and Historical Change (1981); Moisei
Ginzburg, Style and Epoch, trans. Anatole Senkevich (1982);
Adolf Loos, Spoken into the Void: Collected Essays, 1897–
1900 , trans. Jane O. Newman & John H. Smith (1982); Aldo
Rossi, Architecture of the City, trans. Diane Ghirardo & Joan
Ockman (1982); and Scientifi c Autobiography, trans.
Lawrence Venuti (1982).
20 Teresa Stoppani, ‘Unfi nished Business: The Critical Project
after Manfredo Tafuri’, in Critical Architecture, ed. Jane
Rendell, Jonathan Hill, Murray Fraser & Mark Dorrian
(London and New York: Routledge, 2007), 22–30.
21 Jennifer Bloomer, Architecture and the Text: The (S)crypts of
Joyce and Piranesi (New Haven, Conn.: Yale University Press,
1993).
22 http://www.gsd.harvard.edu/research/publications/affiliated_
publications/assemblage/assemb41.html (accessed 15 April
2009).
23 K. Michael Hays, ‘Notes on Narrative Method in Historical
Interpretation’, Footprint (Autumn 2007): 23.
24 Reinhold Martin, The Organizational Complex: Architecture,
Media, and Corporate Space (Cambridge, Mass.: MIT Press,
2005); Felicity D. Scott, Architecture or Techno-utopia: Politics
after Modernism (Cambridge, Mass.: MIT Press, 2007).
25 Compare Wood (ed.), The Vienna School Reader. Evonne
Levy is pursuing this theme into the specifi c fi eld of baroque
historiography with her book project ‘Barock: Architectural
History and Politics from Burckhardt to Hitler (1844–1945)’.
See http://www.nga.gov/casva/fellowships.html.
26 http://www.anycorp.com/log/ (accessed 15 April 2009); see also
Atelier Bow-Wow, Walking with Atelier Bow-Wow: Kanazawa
Machiya Metabolism, 21st Century Museum of Contemporary
Art, Kanazawa, 2007, project archive at http://www.bow-wow.jp/
profi le/publications_e.html (accessed 15 April 2009).