How to Succeed in Commercial Photography : Insights From a Leading Consultant

(Ron) #1
PART1 / VALUES

Both David and Rob can be described as “lifestyle” shooters.
However, their visual approaches differ hugely. Rob’s work
is clean and graphic. His locations are as important as the
people in his images. In some cases the locations are even
more important to the overall shot than the subjects are. Rob’s
people are props with body parts evident more than their
personalities. The overall feel is hip, contemporary, elegant,
and cool.
When we look at David’s work we feel as though we are
looking at a film or a painting. David’s tones are dark; his
lighting is rich and deep. We feel connected to the people in
his portraits. We are voyeurs as we view the moments in the
scenes he has carefully crafted. His models are elegant and
often waiflike. The overall effect is moody, sensuous, and
elegant.
Here we have two photographers who have chosen the
same subject, but who have very different visual approaches.
Their visual approach is what sets them apart. It is clearly the
how of what they do. This visual approach is what a client is
buying.
Your job is to develop and articulate your visual approach.
Once articulated, you will need to write it down and use it as
your main marketing message. Later, that description will
become the editing tool for all portfolio images and for any
visual mailers that are sent to contacts. In addition, it will be
used to help you to select images for inclusion on your Web site
and on ad portals. That is how you begin the process of build-
ing visual value and visual brand identity.
Robert Kent and his team pay close attention to the brand
created from his vision, as Nikki explains:

When we have creative, marketing, and strategy
meetings, the brand is always the focus. It helps us to
keep on message, because it is the message. It’s as if the
brand (look) becomes the client. As we create our sales
tools from the images we choose to display on our
Web site to our print portfolios, we are not meeting
a “buyer’s” needs, rather we are motivated by a
vision that we have developed and are responsible for
maintaining.

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