Guattari addressed the decomposition of the subject, a mutation in
the very concept of the subject. It is not the molar constitution of the
subject that interested him, Guattari said, nor the Freudian universal
Unconscious mathematized by Lacan, nor the molar dialectic of
classes. What interested him was the process of subjectivation that
always follows singular pathways.
There is no subject, but rather the process of subjectivation. Sub-
jects become through the juxtaposition of psychic, linguistic,
imaginary, biological and historical elements. And this juxta-
position is molecular in character, proceeding through the encounter
and conjugation of heterogeneous components (biological, media-
tic, logical, affective, machinic and organic). Guattari abandons
the universalism of the dialectic and of psychoanalysis by oppos-
ing the idea of a constituted subject with the idea of a process
of subjectivation having a molecular, singular and combinatory
character.
******
In A Thousand Plateaus, the Guattarian molecular inspiration meets the
Deleuzian principle of plural ontology. In the concept of the Body with-
out Organs (at the centre of A Thousand Plateaus), there is a Deleuzian
inspiration, the idea of a projective and multiple ontology, and there
is also a Guattarian inspiration in the idea of molecularity, of the sub-
segmental proliferation of matter.
Up to Anti-Oedipus, Guattarian thought is a work of decomposition of
the social, the psychic and the linguistic object. Guattari worked on this
compositional (or decompositional) cognitive model of language and of
sociality, seeking to find (through his text, Psychanalyse et Transversalité/
Psychoanalysis and Transversality) which psychic segments are at work
in the formation of subject-groups and subjugated groups, which social
segments are at work within the formation of the Unconscious, and
so forth. Social processes, just like natural processes, cannot be explained
on the basis of identitarian molar oppositions, but on the basis of
the proliferation of mutagenic agents, of their decomposition and
recomposition.
The Body without Organs
Let us take this most mysterious and strangest concept, the Body
without Organs, that Deleuze and Guattari adopted from Artaud in
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