Hannavy_RT72353_C000v1.indd

320 scheme. It was described by du Hauron in his 1868 patent: “Finally there is another method by which the triple operation may ...

321 undoubtedly contributory, including the long exposures (a minute or more in sun), lack of direct duplicability (like daguerr ...

322 Eder, Josef M., History of Photography, transl. E. Epstein, New York: Dover, 1978. (More easily available. Illustrated in Bl ...

323 such hand tinted masterpieces. Whilst working in the Regents Street Studio, Claudet employed Andre Leon Larue, known as Mans ...

324 Mansion a renowned colourist worked for A. Claudet during 1840s and1850s. Auguste and Louis Lumiere patented the autochrome ...

325 engagement, such as, the use of the golden section, the third to two thirds; that the tree should always be placed at the le ...

326 meaning in the observer was fundamental to the Western tradition, indeed, well known to the Roman and Greeks before the Rena ...

327 the camera interrupting space, but the Japanese prints did not enter Europe until mid-nineteenth century. If Degas was only ...

328 painters and sculptors continued to seek refuge away from the camera and moved further and further towards none representati ...

329 Talbot, letters by whom appeared in several issues, and Hippolyte Bayard) or simply submitted improve- ments and observation ...

330 counterparts in other European countries and the USA. The Photographic Society (precursor to the Royal Photographic Society) ...

331 rack systems, airfl ow, and desiccants. Secondarily are the issues like photographic identifi cation, repairs and consolidat ...

332 record in the originating country and which in that case probably would be lost and/or which are supple- mentary tot the ori ...

333 with photographic conservation and preservation like the Getty Conservation Institute. Johan Swinnen See Also: Darkroom and ...

334 Further Reading Garner, Phillipe, ‘William Constable, Brighton’s First Photog- rapher,’ History of Photography, Vol. 15, No. ...

335 fessional Greek photographer of the nineteenth century. He set up, his fi rst studio, in 1858, in a central road of Athens ( ...

336 at both ends of the scale, expanded to cope with printing from the various sizes of roll fi lm negatives available by the en ...

337 ferent thicknesses of opal glass and glass plates and to keep them in register during inspection. The increased use of vigne ...

338 a photograph was a writing, and so could be protected, but only if the photographer had created an original intellectual con ...

339 a brass founder. Shortly thereafter he joined his father in the lamp business. Cornelius & Co. became one of the largest ...