Hannavy_RT72353_C000v1.indd

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Q 1181 QUINET, ACHILLE LÉON (1831–1900) French photographer and studio owner Born in 1831, Achille Quinet was a successful pho- ...

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R 1183 RAMON Y CAJAL, SANTIAGO (1852–1934) Santiago Ramon y Cajal (1852–1934) is famous in Spain as its sole Nobel Prize winner. ...

11841184 RAOULT, JEAN types des Peuples de Russie, Roumanie et Bulgarie,” a collection of “folk types,” shots of everyday life a ...

11851185 RÉGNAULT, HENRI-VICTOR The Stereoscopic Magazine fi rst appeared in July 1858, and continued until early 1863, publishi ...

1186 be precisely served by Régnault’s involvement in the highest circles of power in the Académie des sciences, Académie des be ...

1187 REJLANDER, OSCAR GUSTAV (c. 1813–1875) Oscar Gustav Rejlander was born in Sweden. Little is known about his early years, bu ...

1188 assembled from over thirty separate plates. The fi nal print evokes after Rafael’s School of Athens, but Rej- lander’s alle ...

1189 RELVAS, CARLOS (1838–1894) Carlos Augusto de Mascarenhas Relvas e Campos (1838–1894), was the best know 19th Century Portu- ...

1190 a pure photographic aesthetic where there was a clear demarcation between “real” and fabricated pictures. Despite the effor ...

1191 and the desire for greater realism. The amount of light used by photographic studios, for example, consider- ably deepened ...

1192 elaborately, with the furnishings and decor serving as settings and props in the portraits. The cartes were stamped “Ch. Re ...

1193 street number for the entrance around the corner, on the boulevard, is given. Reutlinger’s fi rst award, a medal of London, ...

1194 fi lms; subjects included clowns Footit and Chocolat. The individual fi lm frames were mounted as perforated bands in the s ...

1195 pictures during and after the events of the Commune, some of which were again interpreted in engravings. A commercial portr ...

1196 an objective account of appearances although, in her opinion, somewhat limited in its formal properties. She is most critic ...

1197 tor of the Slums,’ esteemed by Theodore Roosevelt, Riis proved that photography could be an active agent of change. “I had ...

1198 negatives used by Bonnard and other artists. He was a skilled technician, mastering the cyanotype for images with shadows r ...

1199 Henri Rivière, graveur et photographe, Paris: Musee d’Orsay, 1988. Loyerette, Henri, Gustave Eiffel, Paris, 1986. Jeanne, P ...