I 45
INDEX
Photograms of the Year, 1083
photographic collections, 66–67
photography criticism, 346
preservation, 330
print exchanges, 32–33
publications, 33, 185
Russia, 1299–1301
Singapore, 1283
snapshot photography, 1278
sponsored salons and exhibitions, 32, 34
tourist photography, 1399
United States, 1308–1310, 1429
Photographic Society, 1303–1304
Hunt, Robert, 731
Rosling, Alfred, founder member, 1209
split, 706
tensions between amateurs and
professionals, 1304
Photographic Society Club, London, 1084–
1085
photographic exchanges, 1084–1085
Photographic Society of London, 1084–
1085
Photographic Society of Great Britain, 608, see
also Royal Photographic Society
Photographic Society of Great Britain
Exhibition, Davison, George, 388
Photographic Society of London, 525, 684,
685, see also Royal Photographic
Society
collectors, 309, 310
Eastlake, Sir Charles Lock, 462
established ideas on art photography, 220
fading
Fading Committee chaired by Roger
Fenton, 1060
Hardwich, T.F., 1060
Fenton, Roger, 526
Fry, Peter Wickens, founder member, 563
Glaisher, James, 593–594
Hawarden, Viscountess Clementina
Elphinstone, 643
Jocelyn, Lady Frances, 776
Llewelyn, John Dillwyn, 867
photogalvanography, 1075
Photographic Society Club, London,
1084–1085
retouching, 1189–1190
Robinson, Henry Peach, 1203
Royal Patronage, 462
science of photography, 1252
Shadbolt, George, founder member, 1265
Turner, Benjamin Brecknell, founder
member, 1411
Photographic Society of Scotland, Ross,
Horatio, 1211
Photographic studios, 1100
ads for, 8–9
archives, 64–65
Burma, 1317–1318
carte-de-visite, expansion in number, 277
chains, 9
Claudet, Antoine François Jean, 302, 303
design and construction, 1355–1357
Disdéri, André-Adolphe-Eugène, 417–419
Dodgson, Charles Lutwidge
Badcock’s Yard, 430
Christ Church studio, 430
relationship with children, 430–431
Ermakov, Dmitri, 494, 495
Europe’s fi rst professional, 897
Europe’s fi rst studio, 1100
exhibitions, 509
France’s fi rst, 897, 1100
Fredericks, Charles Deforest, 554
glasshouse studio, 1355–1356
Hawaii, 640
Hong Kong, 294
Hungary, 726–728
insuffi cient demand, 1101
Ireland, 750
Italy, 755
photographers, 755
Japan, 1021
Käsebier, Gertrude, 790
Kusakabe Kimbei, 809
leakage, 1356
lighting, 1355–1357
artifi cial, 1357
electric light, 1357
fl ash, 1357
sources, 83
Ludwig, Angerer, 39–40
Melhuish, Arthur James, 919–920
Mexico, 922
Myanmar, 1317–1318
painted backgrounds, 1356
Petit, Pierre, 1066
Ponti, Carlo, 1144
branches, 1145
Portugal, 1151, 1152–1154
fi rst, 1151
props, 1356
Robinson, Henry Peach, 1202–1203
Shanghai, 293
skylights, 1356
Spain, 1325, 1326
Switzerland, 1369–1370
Taylor, A. & G., largest photographers in
the world, 1381
women photographers, 1505–1506
employment behind the scenes, 1506
world’s fi rst professional, 1100
Photographic Times, 184
Photographic unions, 1422–1423
Australia, 1423
Denmark, 1423
Europe, 1422–1423
France, 1422–1423
Germany, 1422–1423
Great Britain, 1422, 1423
United States, 1422
Photographic veils, 1080
Photographische Correspondenz, 1095
competitors, 1095
German journal, 1095
most renowned magazine in photographic
sciences, 1095
Schrank, Ludwig, 1251
publisher and editor, 1251
Photographische Gesellschaft, Schrank,
Ludwig, establishing fathers, 1251
Photographische Rundschau
amateur photographers, 1096
Austrian magazine for non-specialists in
both art and science, 1096
illustrations with photographs from, 1096
Photographisches Journal, Horn, Wilhelm
(Vilém), 715
Photographometer, 4, 303, 538, 1263
Photographs of the Gems of the Art Treasures
Exhibition, 1857, Ancient and Modern
Series, 188
Photography
acceptable domestic craft for women, 432
as aesthetic model, 666
as aid to artist, 732
albums, 954family albums, 954
rich miniature decorations, 954
ambiguous position in hierarchy of art, 74
analogy with graphic art, 76
apparent veracity, 1331
applied to technical drawings, 1098
art conservation
analytic tool for restoration, 1104
documenting inventory, 1103
reproduced private and museum
collections, 1103–1104
scientifi c documentation, 1103
study of works of art by scientifi c means,
1103
artistic discourse, 666
artistic intent, 80, 81
art vs. craft debate, 34, 81, 680
art vs. science, 687
automatic apparatus, 731
automatic product, 81
base or surface, 1090
ceramic photographs, 954
on china and marble, 954
classes, 74
coining name, 654
colonial and institutional contexts, 666–667
conditions of possibility, 669
coupling of public and private spheres, 432
court cases, 341–342
art vs. science, 341
copyright, 341, 342
patents, 341–342
credibility, 1331
democratic promise of universal access to
picture-making, 1429
democratized vision, 1332
desire of producing total illusion of reality,
1090
development as technology, 665
development of non-professional
photography, 432–433
differentiation of professionals and artists,
1429
documentary value, 1228
to document nature, 607
as draftsman’s aid, 456
education and training, 473–475
City and Guilds of London Institute, 474
fi ne art student vs. photography student,
474
fi rst examinations in photography, 474
Kings College, 473
Polytechnic Institution, 473, 474
Regent Street Polytechnic, 474
Royal Engineers, 473
self-taught photographers, 473
emblem of conquest and territorial
appropriation, 930
expeditionary photography, 667
explicitly social historians of, 666
fi rst publication specifi cally about, 669–670
foreign photographic views, 679
as form of mapping, 818
on gravestones, 954
Great Exhibition, New York (1853-54), 617
growing recognition of photography as
art, 666
historiography, 19th century, 664–668
history of science, 666
illustrating products through, 9
illustrative use of, 907
impermanence, 405
impressionist painters, relationship, 1046
inherent truthfulness, 980