I 48
INDEX
Pigment paper, Autotype Fine Art Company,
103–104
Pigou, William Henry, 1131
architectural photography, 1131
India, 1131
Pinhole photography, 737
Piot, Eugène, 167, 1131–1132
architectural photography, 1131
art travel books illustrated by photography,
1132
photography collections, 1131
Pistograph camera, 253
Pistolgraph camera, 1269–1270
Pius IX, Pope, 373–374
Pizzighelli, Giuseppe, 1132–1133, 1136
fi rst chemically developed gelatin silver
chloride emulsions, 1132–1133
head of photographic department of
Austrian army’s Technical Military
Committee in Vienna, 1132, 1133
platinotypes, 1132
Vienna Photographic Society, 1132
Plüschow, Peter Weiermair Wilhelm, 1139
nude studies, 1139
overt homoerotica, 1139
Plateau, Joseph Antoine Ferdinand, 940,
1133–1134
Belgian physicist, 1133
experiments relating to visual perception,
1134
inventor, 1133–1134
phenakistiscopes, 1133–1134
Plate holders, 243
Plates, standard of sensitiveness, 733
Platino-bromide paper, 1154
bromide print, 219
Platino-Matt paper, 1154
Platinotype Company, 1134–1136, 1499
competitors, 1135–1136
Platinotype papers
cold development paper, 1135, 1137
fi rst commercial, 1136
Platinotypes, 1499, see also Platinum prints
Hollyer, Frederick, 711
Pizzighelli, Giuseppe, 1132
publications, 186
von Hüebl, Baron Arthur Freiherr, 719
Platinum, bromide print, 219
Platinum printing paper, 1134–1136
Platinum prints, 80, 1136–1137, 1155, see also
Platinotypes
advantages, 1137
albumen prints, contrasted, 1137
Allen sisters, 29
The Brotherhood of the Linked Ring, 1137
development, 1136–1137
Käsebier, Gertrude, 790
Nutting, Wallace, 1015
Plumbe, John Jr., 1137–1139
America’s fi rst nationally known
photographer, 1138
architectural photography, 1138
biography, 1139
color photography, 1138
daguerreotypes, 1138
earliest cameras, 244
earliest photographic records of
Washington, D.C., 1138
earliest published American photographic
work, 1138
established National Publishing Company,
1138
fi rst effective advocate for U.S.
transcontinental railroad, 1138
fi rst to introduce franchised photographic
business, 1138
portraits, 1138
taught fi rst generation of American
photographers, 1138
Plumbeotypes, 1138
Pneumatics, 1070
Pneumatoscope, 303
Pocket cameras, E&HT Anthony & Co., 50
Pocket Kodak cameras, 225, 251
Poitevin, Alphonse Louis, 270, 313, 1139–
1140, 1157
bichromate gum, 844
carbon printing, 1140
collotypes, 1140
color therapy, 317
direct carbon process, 556, 1155
gum prints, 626
heliochromy, 1140
Lemercier, Rose-Joseph, 844
photo-chemical engraving method, 1139,
1140
photographic engraving technique, 1140
photolithography, 844, 864–865, 1140
Poland, 1140–1142
amateur photographers, 1142
Beyer, Karol Adolf, 154
daguerreotypes, 1141, 1142
itinerant photographers, 1141, 1142
photographers trained abroad, 1140–1141
Polar regions, 69–71, 70
Police photography, 344–345, 1142–1143,
1228
fi ngerprints, 1143
Paris Commune, 1142–1143
portraits
disseminating portraits, 1142
format and conventions, 1142
of suspects, 1142
uniform photographic technique, 1143
Political propaganda, Germany, 583–584
Pollock, Arthur Julius, 1144
Pollock, Henry Alexander Radclyffe, 1144
Pollock, Sir Jonathan Frederick, 1144
Polytechnic Institution, London, 473
Pompeii, Brogi, Giacomo, 217
Ponti, Carlo, 207, 1144–1146, 1451
biography, 1145–1146
instruments for astronomy and physics,
1144
lenses, 1144–1146
photographer, editor and distributor of
photographic prints, 1144–1146
photographic studios, 1144
branches, 1145
royal photographers, 1145
Venice, 1144
Ponton, Mungo, 270, 626, 1146–1147, 1157,
1263
biography, 1147
inventor, 1146–1147
potassium dichromate
gelatine, 1146
light sensitive qualities, 1146
method made freely available, 1146
A Popular Treatise on Photography (van
Monckhoven, Désiré Charles
Emanuel), 180
A Popular Treatise on the Art of Photography,
including Daguerreotype, and All the
New Methods of Producing Pictures by
the Chemical Agency of Light (Hunt,
Robert), 177, 179, 731
Porcelain photographs, 954Pornography, 707, 1014, 1139, 1148–1150
aesthetic quality presented, 1148
audiences of, 1150
borderline between science and
pornography, 817
boundaries, 456
daguerreotypes, 1148, 1149
defi ned, 1148
English, 1148
erotic photography, differentiated, 1148
exposure time, 1149
French, 1148
history, 1148
indexical, excessively realistic quality of
photography, 1149–1150
key role of spectator, 1150
legal regulation of, 1148
male-gaze theory, 1150
market, 1148–1149
mass production, 1148
model, 1149
Moulin, Félix-Jacques-Antoine, 945
novel approaches to supply interpretation,
1150
nude studies, differentiated, 1148
postcard, 1149
purposes behind their production, 1148
repertory of poses, 1149
signifi cance of the female spectator, 1150
style, 1149
Vallou de Villeneuve, Julien, 1434–1436,
1435
working class, 1149
Porro, Ignazio, 1081–1082
Porter, William Southgate, 1151
panorama, 1151
Portman, Christiaan Julius Lodewijk, 987
Portrait painting, 1043–1044
daguerreotypes, 1043–1044
competition, 1043
interaction, 1043–1044
painting over enlarged photographs, 1044
political portrait paintings, 1044
Portrait parlé, 1143
Portraits, 694
Adam-Salomon, Antoine-Samuel, 6
advertising, 11
Africa, 1473–1473
ambrotypes, price, 1101
Andersen, Hans Christian, 411
Angerer, Viktor, 39–40
Annan, James Craig, 43–44
Annan, Thomas, 46
Argentina, 72
Barnett, Walter H., 116–117
Bassano, Alexander, 117–118
Bayard, Hippolyte, 124
Belgium, 138
Benecke, Ernest, 147–148
Biow, Hermann, 159
Bisson, Auguste-Rosalie, 161–162
Bisson, Louis-Auguste, 161–162
Blanchard, Valentine, 166
books illustrated with photographs, 190
Brady, Mathew B., 197, 198, 689
Breuning, Wilhelm, 207
Caldesi, Leonida, 238
calotypes
in England, 678
Talbot, William Henry Fox, 678
Cameron, Henry Herschel Hay, 257–258
Cameron, Julia Margaret, 258–260, 259
fi rst close-up photographs, 259
Canada, 261–262