The Cognitive Neuroscience of Music

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BRAIN SPECIALIZATION


FOR MUSIC: NEW


EVIDENCE FROM


CONGENITAL AMUSIA


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Abstract


Brain specialization for music refers to the possibility that the human brain is equipped with neural
networks that are dedicated to the processing of music. Finding support for the existence of such music-
specific networks suggests that music may have biological roots. Conversely, the discovery that music
may have systematic associations with other cognitive domains or variable brain organization across
individuals would support the view that music is a cultural product. Currently, the evidence favours the
biological perspective. There are numerous behavioural indications that music-specific networks are
isolable in the brain. These neuropsychological observations are briefly reviewed here with special
emphasis on a new condition, that of congenital amusia (also commonly referred to as tone-deafness).


The notion that music might have biological foundations has only recently gained legit-
imacy. Over the past 30 years, music has mostly been studied as a cultural product.
Musicologists were analysing each musical system in the context of its specific culture.
Neuroscientists and psychologists were viewing music as a convenient window to the gen-
eral functioning of the human brain. However, neuropsychological observations have con-
sistently and recurrently suggested that music might well be distinct from other cognitive
functions, in being subserved by specialized neural networks. As such, music might be
viewed as pertaining more to biology than to culture. The goal of the present paper is to
review the neuropsychological evidence that supports the biological perspective.


Specialized neural networks for music processing


If music is biologically determined, then music is expected to have functional and neuro-
anatomical specialization. That is, music is expected to be subserved by neural networks
that are dedicated to its processing, in being unresponsive or inadequate for dealing with
nonmusical input. Presently, support for the existence of such specialized neural networks
is compelling. Most evidence in this regard derives from the functional examination of
individuals whose brain condition is disturbed in highly selective aspects. The brain anom-
aly may either impair or spare musical abilities exclusively. It can be revealed in three types
of conditions: (1) Acquired disorders; (2) Congenital disorders; and (3) Brain stimulation.

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