13.Blacking, J.(1995) Music, Culture, and Experience. London: University of Chicago Press.
14.Miller, G.(2000) Evolution of human music through sexual selection. In N. L. Wallin, B. Merker,
and S. Brown (eds) The Origins of Music. Cambridge, MA: MIT Press, pp. 329–60.
15.Dowling, W. J.(1999) The development of music perception and cognition. In D. Deutsch (ed.)
The Psychology of Music. San Diego, CA: Academic Press, pp. 603–25.
16.Peretz, I.and J. Morais(1993) Specificity for music. In F. Boller and J. Grafman (eds) Handbook
of Neuropsychology, vol. 8. Amsterdam: Elsevier, pp. 373–90.
17.Slater, J. B.(2000) Birdsong repertoires: their origins and use. In N. L. Wallin, B. Merker, and
S. Brown (eds) The Origins of Music.Cambridge, MA: MIT Press, pp. 49–63.
18.Geissmann, T.(2000) Gibbon songs and human music from an evolutionary perspective. In
N. L. Wallin, B. Merker, and S. Brown (eds) The Origins of Music. Cambridge, MA: MIT Press,
pp. 103–23.
19.Payne, K.(2000) The progressively changing songs of humpback whales: a window on the
creative process in a wild animal. In N. L. Wallin, B. Merker, and S. Brown (eds) The Origins of
Music. Cambridge, MA: MIT Press, pp. 135–50.
20.Blood, A. J.and R. J. Zatorre(2001) Intensely pleasurable responses to music correlate
with activity in brain regions implicated in reward and emotion.Proc. Nat. Acad. Sci.98,
11818 – 23.
21.Gabrielsson, A.(2001) Emotions in strong experiences with music. In P. N. Juslin and
F. A. Sloboda (eds) Music and Emotion: Theory and Research. Oxford: Oxford University Press,
pp. 431–49.
22.Peretz, I.(2001) Listen to the brain: a biological perspective on musical emotions. In P. N. Juslin
and J. A. Sloboda (eds) Music and Emotion: Theory and Research. Oxford: Oxford University
Press, pp. 105–34.
23.Sloboda, J. A.(1992) Empirical studies of emotional response to music. In M. R. Jones and
S. Holleran (eds) Cognitive Bases of Musical Communication.Washington, DC: American
Psychological Association, pp. 33–50.
24.Dawkins, R.(1996) Climbing Mount Improbable. London: Penguin Books.
25.Williams, G. C.(1966) The Selfish Gene.Adaptation and Natural Selection. Princeton, NJ:
Princeton University Press.
26.Brown, S.(2000) Evolutionary models of music: from sexual selection to group selection. In
F. Tonneau and N. S. Thompson (eds) Perspectives in Ethology, vol.13:Evolution, Culture, and
Behavior. New York: Kluwer Academic, pp. 231–81.
27.Drayna, D., A. Manichaikul, M. de Lange, H. Sneider, and T. S p e c t o r(2001) Genetic correlates
of musical pitch recognition in humans.Science291, 1969–72.
28.Cross, I.(2001) Music, mind, and evolution.Psychol. Music29, 95–102.
29.Trehub, S. E., D. Bull, and L. A. Thorpe(1984) Infants’perception of melodies: the role of
melodic contour.Child Dev.55, 821–30.
30.Chang, H. W.and S. E. Trehub(1977) Auditory processing of relational information by young
infants.J. Exp. Child Psychol.24, 324–31.
31.Chang, H. W.and S. E. Trehub(1977) Infants’perception of temporal grouping in auditory
patterns.Child Dev.48, 1666–70.
32.Krumhansl, C. L.and P. W. Jusczyk(1990) Infant’s perception of phrase structure in music.
Psychol. Sci.1, 70–3.
15