in language. Poetry straddles this evolutionary divergence by projecting, through the
addition to ordinary speech of metrical and timbral patterning, its common heritage
with music.
References
1.Winn, J.(1981) Unsuspected Eloquence: A History of the Relations between Poetry and Music.
New Haven: Yale University Press.
2.Lerdahl, F.and R. Jackendoff(1983) A Generative Theory of Tonal Music. Cambridge, MA:
MIT Press.
3.Lerdahl, F.and J. Halle(1991) Some lines of poetry viewed as music. In J. Sundberg, L. Nord, and
R. Carlson (eds) Music Language, Speech, and Brain. Wenner-Gren International Symposium
Series. Longon: Macmillian.
4.Lerdahl, F.and X. Chabot(1991) A theory of poetry as music and its exploration through a com-
puter aid to composition.Proc. Intl Computer Music Conf.
5.Hayes, B.Personal communication.
6.Hayes, B.(1989) The prosodic hierarchy in poetry. In P. Kiparsky and G. Youmans (eds)
Phonetics and Phonology: Rhythm and Meter. New York: Academic.
7.Liberman, M.and A. Prince(1977) On stress and linguistic rhythm.Linguistic Inquiry8, 249–36.
8.Chomsky, N.and M. Halle(1968) The Sound Pattern of English, second printing. Cambridge,
MA: MIT Press.
9.Oehrle, R. T.(1989) Temporal structures in verse design. In P. Kiparsky and G. Youmans (eds)
Phonetics and Phonology: Rhythm and Meter. New York: Academic.
10.Becker, J.and A. Becker(1979) A grammar of the musical genre Srepegan.J. Music Theory23,
1 – 44.
11.Handel, S.(1989) Listening. Cambridge, MA: MIT Press.
12.Pierrehumbert, J.(1980) The Phonology and Phonetics of English Intonation. MIT Ph.D.
Dissertation.
13.Ladd, D. R.(1996) Intonational Phonology. Cambridge, UK: Cambridge University Press
14.Lerdahl, F.(2001) Tonal Pitch Space. New York: Oxford University Press.
15.Lerdahl, F.(1987) Timbral hierarchies.Contemporary Music Rev.1,135–60.
16.Halle, J.and F. Lerdahl(1994) A generative textsetting model.Curr. Musicol. 55, 3–26.
17.Krumhansl, C. L.(1990) Cognitive Foundations of Musical Pitch. New York: Oxford University
Press.
18.Peretz, I.(1993) Auditory agnosia: a functional analysis. In S. McAdams and E. Bigand (eds)
Thinking in Sound: The Cognitive Psychology of Human Audition. Oxford: Oxford University
Press.
19.Peretz, I.(2001) Le cerveau musical. In J. J. Nattiez (ed.) Enciclopedia Einaudi della musica.
20.Patel, A. D.and I. Peretz(1997) Is music autonomous from language? A neuropsychological
appraisal. In I. Deliége and J. Sloboda (eds) Perception and Cognition of Music. Hove, UK:
Psychology Press.
21.Yung, B.(1991) The relationship of text and tune in Chinese opera. In J. Sundberg, L. Nord, and
R. Carlson (eds) Music, Language, Speech, and Brain. Wenner-Gren International Symposium
Series. London: Macmillan.
428