12.Slobin, M.(1993) Subcultural Sounds: Micromusics of the West. Hanover: Weslyan University
Press.
13.Malm, M.(1977) Music Cultures of the Pacific, the Near East and Asia. Englewood Cliffs, NJ:
Prentice-Hall.
14.Gourlay, K. A.(1984) The non-universality of music and the universality of non-music.Wo r l d
Music 26 ,25–36.
15.D’Andrade, R.(1996) The Development of Cognitive Anthropology. Cambridge: Cambridge
University Press.
16.Cole, M.(1996) Cultural Psychology. London: Belknap Press of Harvard University Press.
17.Stobart, H. F.and I. Cross(2000) The Andean Anacrusis? rhythmic structure and perception in
Easter songs of Northern Potosí, Bolivia.Br. J. Ethnomusicol. 9(2), 63–94.
18.Blacking, J.(1995) Music, Culture and Experience. London: University of Chicago Press.
19.Merriam, A. P.(1964) The Anthropology of Music. Chicago: Northwestern University Press.
20.Harnad, S.(1992) There is only one mind/body problem.Intl. J. of Psychol. 27, 521.
21.Blacking, J.(1976) How Musical is Man?London: Faber.
22.Scheifflin, E. L.(1993) Performance and the cultural construction of reality: a New Guinea
example. In R. Rosaldo, S. Lavie, and K. Narayan (eds) Creativity/Anthropology.London:Cornell
University Press, pp. 270–295.
23.Feld, S.(1982) Sound and Sentiment: Birds, Weeping, Poetics and Song in Kaluli Expression.
Philadelphia: University of Pennsylvania Press.
24.Barrow,J.D.(1995) The Artful Universe. Oxford: Clarendon Press.
25.Sloboda, J. A.,J. W. Davidson,M. J. A. Howe, and D. G. Moore(1996) The role of practice in the
development of performing musicians.Br.J.Psychol.87, 287–309.
26.Trehub,S.E.,G. Schellenberg, and D. Hill(1997) The origins of music perception and cognition:
a developmental perspective. In I. Deliège and J. Sloboda (eds) Perception and Cognition of Music.
Hove: The Psychology Press, pp. 103–28.
27.Tr e h u b , S. E .,A. M. Unyk, and L. J. Trainor(1993) Adults identify infant-directed music across
cultures.Infant Behavior Development16, 193–211.
28.Papousek, H.(1996) Musicality in infancy research: biological and cultural origins of early
musicality. In I. Deliège and J. Sloboda (eds) Musical Beginnings. Oxford: Oxford University
Press, pp. 37–55.
29.Papousek, M.(1996) Intuitive parenting: a hidden source of musical stimulation in infancy. In
I. Deliège and J. Sloboda (eds) Musical Beginnings. Oxford: Oxford University Press, pp. 88–112.
30.Trevarthen, C.(1999) Musicalty and the intrinsic motive pulse: evidence from human psycho-
biology and infant communication.Musicae Scientiae(Special Issue), 155–215.
31.Spelke, E.(1999) Infant cognition. In R. A. Wilson and F. C. Keil (eds) The MIT Encyclopedia of
Cognitive Sciences. Cambridge, MA: MIT Press, pp. 402–4.
32.Medin, D.and S. Atran(1999) Folk Biologies. Cambridge, MA: MIT Press.
33.Gelman, R.and K. Brenneman(1994) First principles can support both universal and culture-
specific learning about number and music. In L. A. Hirschfeld and S. A. Gelman (eds) Mapping
the Mind: Domain Specificity in Cognition and Culture. Cambridge: Cambridge University
Press, p. 396.
34.Bregman, A.(1990) Auditory Scene Analysis. Cambridge, MA: MIT Press.
35.Pinker, S.(1997) How the Mind Works. London: Allen Lane.
, , , 55