- Lane 1946, 251-52.
- See, for example, a drug jar in the Museo Internationale delle Ce-
ramiche, Faenza, dated to the second quarter of the fifteenth century
(Conti et al. 1991, no. 16), and a plaque of the second half of the
fifteenth century (Ravanelli Guidotti 1998, fig. n).
- De Arechaga Rodriguez-Pascual and Manglano Baldovi 1985 (cited in
Ray 2000, 77).
- See, for example, Frothingham 1936, 158; Frothingham 1951, 139;
Martinez Caviro 19 91, 158.
- In contemporary Italian inventories, this decoration is referred to as
fiordalisi [fioralixi) normally translated as fleurs-de-lis but also fre
quently used to identify small carnations (Spallanzani 1986, 164-70).
Indeed, since these inventories were concerned with listing works so
that they could be readily identified, it is possible that a common and
easily recognizable flower such as the carnation might have been used
to describe this decoration.
- Montagut 1996, 68, no. 10.
- Martinez Caviro 1991, 158.
- Ray 2000, 73; Barber 1915, 34.
- See, for example, Bojani, Ravanelli Guidotti, and Fanfani 1985,
nos. 467-71. For a further discussion of the extent to which Spanish
ceramics might have influenced the appearance of fifteenth-century
Tuscan wares, see Alinari and Berti 1991, 47-5^; Valeri 1996, 128-32.
- Husband and Hay ward 1975, 53.
- Dusseldorf 1962, 266, no. 892, fig. 104.
- Sotheby's 1965, lot 2.
- Lepke 1930, lot 147.
- Montagut 1996, 68, no. 10.
- Conti 1971 A, no. 517; Conti 1980, pi. 68.
- Galerie Georges Petit 1905, lot 53.
- Ray 2000, 76-77, no. i6o; Ainaud de Lasarte 1952, 10: 68, fig. 155.
- Gaillard 1904, 85, no. 406.
- Frothingham 195 1, 136, 138-39, figs. 98-99.
- Toledo 1962, 58.
- Gonzalez Marti 1944-52, 1: 461, pi. 17, fig. 565.
- Blaikie Murdoch 1922, 201, no. 5.
- Godman 1901, 34, nos. 48-50, ill. nos. 252, 254 on pi. XXXIX and ill.
no. 394 on pi. XXV.
2G Paolo Uccello (Italian, 13 97-1475). The Birth of the Virgin (detail), ca.
1436. Prato, Prato cathedral. Photo: Alinari/Art Resource, New York.
Saint Anne is depicted washing her hands in a basin—possibly made of
maiolica—that is comparable in size and shape to the Getty piece.
Hispano-Moresque Basin 29
