the Layers palette, its mask becomes visible in the Channels palette. When
you paint on the mask, the paint masks the adjustment layer; the effects of
the adjustment layer are eliminated.
Painting directly on an adjustment layer mask is the best way to force a change on
only certain objects. Adjustment layers affect the entire image unless they’re grouped
with a particular layer. By grouping with a layer and then painting on the adjust-
ment layer mask, you can selectively “edit” an image. The changes will only appear
wherever the mask is transparent or partially transparent.
Masking an Adjustment Layer
A mask attached to an adjustment layer controls the intensity of the layer’s effects.
In Figure 16.17, an adjustment layer was used to decrease contrast until the image
was almost a featureless gray. However, the mask protected the central area of the
image and preserved its normal contrast. This creates a vignette-type of photo.
CHAPTER 16 THE IMPORTANCE OF LAYERS AND MASKS 253
FIGURE 16.17
Using a mask
on an adjust-
ment layer.