Three Image Layers Create Color
Images
A color photograph begins as three superimposed
layers of light-sensitive silver halide emulsion cap-
turing the image. The layers are like the emulsions
in black-and-white film, except that each layer
responds only to one primary color: red, green, or
blue. Additional layers are added to improve the
color response of the three basic layers.
Film Development Process
The two most popular forms of film are slide film
and color negative film. Both forms of film rely on
the subtractive process to create a reproduction of
an image. This subtractive process comes into play
during development, which occurs in several steps.
Slide film and color negative film are sensitive to
red, green, and blue, but the end product is their
complementary colors cyan, magenta, and yellow.
The following steps walk through this transforma-
tion process during the development of color negative film:
- Color negative film contains three layers of emulsion. Each layer is sensitive
to one color: red, green, or blue. During exposure, an invisible latent image
forms in each layer where light strikes the film. - When a color negative is developed, the exposed light-sensitive silver halides
in each layer are converted into a metallic silver negative. At the same time,
the developer oxidizes and combines with the dye-forming chemicals built
CHAPTER 20 COLOR THEORY 295
FIGURE 20.3
Subtractive
process.
Cyan
Magenta
Ye llow
Color films are either
positive (reversal) or nega-
tive. Reversal films create images
that can be viewed directly, such
as color slides. The images in neg-
ative films (color and black-and-
white) must be printed to be
viewed. Almost all reversal films
are developed with Kodak’s E-6
process. Color negative films are
developed with Kodak’s C-41
process.