SUFI POETRY IN SOMALI

(Chris Devlin) #1

with the basic conditions of survival and well being and


their opposi te:s.


II


Images Drawn from the Somali Natural

Environment and Traditional Culture


The majority of the images used in the Sufi poetry

224.

in Somali are drawn from the Somali natural environment and


the traditional culture. In this chapter, I shall endeavour
to relate this imagery to its background by commenting in some
detail on a number of typical examples which I have selected

from the texts given in Part ThreB.


Natural environment

The Somali nomads have a deep seated interest in
weather and its effects upon the environment and the lives

of people and animal~. For a people whose existence and that


of their flocks depends so much on the changes of weather, it
is hardly surprising that they should have so many images
related to weather in their poetry. There are images the
range of which covers the clouds, the wind, light, darkness,

drought and rain; and in certain cases when some of the


images are employed, they evoke powerful feelings which cannot


be adequately conveyed in ordinary speech. For example,


images which are connected with rainy weather ~all forth a


number of associations, such as birth, growth, prosperity,


abundance, happiness and ease of tension, in the minds of

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