Do not listen [to the words which say]: 'The earth
will be thoroughly soaked by the dew" and damp mist
of last night.'
(Text 10/89-90)
226.
The positive associations which are linked with the image
of rain are further illustrated by the reference to Sheekh
Cabdisalaam Xaaji Jaamac, in a panegyric poem composed in
his praise, as the rain that has satisfied the needs of the
people:
Roobkii noo da1ayow, raalli noo noqoyow
o rain that has come for us, 0 you who have
satisfied us
(Text 20/12)
When used as an image ln Somali poetry, the loud and
rumbling noise of thunder does not normally evoke fear and
anticipation of danger; on the contrary, it is regarded
as an auspicious sign which portends happiness and prosperity.
However, in the event that this favourable sign does not
bring the joyous expectations, there is something that is
ominously wrong as is implied in this line:
Onkod roob ah uurada da'doon, oonka kaa bi'iniri
Thunderous rains and torrential downpours which do
not quench your thirst!
(Text 25/21)
The images of wells and springs have a particularly strong
appeal for the pastoralists since without them survival is
often impossible in the rainless season. In the following