of religion shall inherit the esoteric function of the
Prophet, it is appropriate for the Sufis to venerate such
men as those who have been chosen by the Divine Mercy to
guide other men. Hence the Sufis honour the Prophet and
the saint,s.
52.
Among the literary works in Arabic produced by Somali
Sufis praise poetry predominates! There are numerous
poems written in praise of God, praise of the Prophet and
the saints, and in the diction and formal characteristics
: this poetry is clearly based on Arabic models brought
from outside Somali culture. The exact identification of
these models is not yet available and requires extensive
research both within the classical religious literature
shared by the world-wide Arab community and in that which
is characteristic of Southern Yemen and Aden in particular.
The imagery of Arabic Sufi poetry written by Somalis
is also obviously inspired by Arabic sources and differs
sharply from that of both the secular and religious poetry
in Somal'i.
Among the most celebrated collections of Somali Sufi
poetry are MAJMDcAT AL-QA~A~ID ('A Collection of Poems')
compiled by Sheekh Qaasim Muxyadiin (QASIM MUIjYADIN) and
AL-MAJMUcAT AL-MUBARAKAH, a general work on Sufism which
contains many poems edited by Sheekh Cabdilaahi Yuusuf (SHAIKH
In the first of these collections
we find a poem well known among Somali Sufis MARQAT AL-WUSUL
ILA ijA~RAT AL-~ASUL ('The Ladder of Access to the Presence
of the Messenger') a panegyric addressed to the Prophet
and written by the renowned Sufi saint Sheekh Cabdiraxmaan