her locality (Hargeysa). Khadiija told me that Somali
women who devote themselves to ~orship have always used
the Somali poetry in order to praise God and honour the
Prophet and the saints. She explained that the reason
why Somali women have resorted to the use of Somali poetry
for religious expression was their lack of adequate know-
ledge of Arabic. Traditionally, among the Somali pastor-
alists, a woman was not provided with as good an oppor-
tunity as that which was given to her male counterpart to
acquire a fairly broad knowledge of theological literature
in Arabi~. According to Khadiija, very few Somali women
ever had the chance to go to Quranic schools when they
were young; and even those who attended Quranic schools
at an early age discontinued as they grew up and prepared
5.5 •
themselves for the pursuit of domestic life. Consequently}
the majority of Somali women have a very limited knowledge
of Arabfc. They know enough to understand the most commonly
used prayers and may sometimes memorize the shortest Suras
of the Quran. But this knowledge is obviously inadequate
as, a means of expressing intense religious feelings and
thought's. According to Khadiija, as the need to articulate
their religious sentiments intensified, the Somali women
who practiced Sufism ultimately decided to use Somali
poetry. Thus they .. introduced. ... " a special form which is
commonly known as s itaad,· I but which at a closer look, one
finds it to be a religious version of the buraanbur,
a genre which is sometimes accompanied by clapping and
drumming and which is almost exclusively composed by women.
When this genre was first employed as an artistic medium
of religious poetry by Sufi women still remains unknown.