I
Documentation and Sources
Although the existence of Sufi oral poetry in Somali
has been noticed by some scholars, the whole documentation
of this field is limited to the recording of a few poems,l
and no attempt has been made so far to analyze it or to
place it in a wider context of Somali culture. It is not
even known at what period of history Somali began to be
used as the medium of Sufi poetry_ The problem will
probably remain unsolved, since no documentary evidence is
availabl~_ Nonetheless~ there is a strong conviction among
the Somali Sufis that the use of Somali in Sufi poetry is
of great antiquity. Although I have heard such views
from a great number of people, especially men of religion,
I have thought it advisable to consult some of the leading
Somali authorities in this field.
I have interviewed Aw Diiriye Bashbash, a religious
elder and a reputable antiquarian who is said to be over
100 \ years old and who lives in Burco, Cabdi Cabdilaahi
Muuse, a well known poet and a traditional historian who
is originally from Bureo but who now resides in Jiddah,
and Khadiija Faarax Maxamuud, a poetess and a lady Sufi
who lives in Hargeysa. They all belong to the QADIRRIYYAH
Order, and all of them maintain that, according to oral
tradition known to them, the Somalis have simultaneously
composed Sufi poems in Arabic and Somali from the earliest
times when Islam laid its foundations in Somali~. Accord-
ingly, they say, each of the two languages has separately
.9 _