Poetry for Students, Volume 29

(Dana P.) #1

———,Wild Blessings: The Poetry of Lucille Clifton,
Louisiana State University Press, 2004, p. 65.


Lupton, Mary Jane,Lucille Clifton: Her Life and Letters,
Praeger, 2006, pp. 1–3, 7, 87.


Madhubuti, Haki, ‘‘Lucille Clifton: Warm Water,
Greased Legs, and Dangerous Poetry,’’ in Black
Women Writers (1950–1980): A Critical Evaluation,
edited by Mari Evans, Anchor Press/Doubleday, 1984,
pp. 150–60.


Mance, Ajuan Maria, ‘‘Re-locating the Black Female
Subject: The Landscape of the Body in the Poems of
Lucille Clifton,’’ in Recovering the Black Female
Body: Self Representations by African American
Women, edited by Michael Bennett and Vanessa D.
Dickerson, Rutgers University Press, 2001, pp.
123–34.


Ostriker, Alicia, ‘‘Kin and Kin: The Poetry of Lucille
Clifton,’’ inAmerican Poetry Review, Vol. 22, No. 6,
November/December 1993, pp. 41–48.


Waniek, Marilyn Nelson, Review of Two-Headed
Woman, by Lucille Clifton, inCallaloo, Vol. 6, No. 1,
1983, pp. 160–62.


White, Mark Bernard, ‘‘Sharing the Living Light:
Rhetorical, Poetic, and Social Identity in Lucille Clif-
ton,’’ inCLA Journal, Vol. 40, No. 3, March 1997,
pp. 288–304.


Further Reading

Brownmiller, Susan,Femininity, Ballantine Books, 1985.
Brownmiller’s book offers a historical look at
the features that have been used to define fem-
ininity. In accessible language, she articulates
how women have responded to various defini-
tions of beauty across time.
Collins, Lisa Gail, and Margo Natalie Crawford, eds.,
New Thoughts on the Black Arts Movement, Rutgers Uni-
versity Press, 2006.
The essays in this well-illustrated collection
cover the important figures of the black arts
movement and provide additional information
concerning the political and artistic concerns of
the generation.
Harper, Michael, and Anthony Walton, eds.,Every Shut
Eye Ain’t Asleep: An Anthology of Poetry by African
Americans since 1945, Little, Brown, 1994.
This volume includes chapters on thirty-five
important contemporary African American
poets, including Lucille Clifton, Gwendolyn
Brooks, Amiri Baraka, and Robert Hayden.
hooks, bell,Feminism Is for Everybody: Passionate Poli-
tics, South End Press, 2000.
An important African American critic and
essayist, hooks examines the history of gender
oppression in patriarchal society and follows
the development of the women’s movement.

homage to my hips

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