Lighting Techniques for Photographing Model Portfolios: Strategies for Digital Photographers

(C. Jardin) #1
location shoot, but the weather forced us into the studio. So, I was seeking a
unique, high-impact look to produce with studio lighting.
I originally set up two background lights and directed the model into po-
sition. In the test shots, however, I saw that one light was out—and it created
an interesting pattern on the wall that was similar to natural sunlight. I de-
cided not to replace the failed light; I wanted to see what the backlighting
would do on the model’s body.
The model posed as if in direct sunlight (facing the light source). Then, I
moved to intentionally show some lens flare. Later, I intensified the yellow
color inPhotoshopandaddedadditionallensflare,since the naturallensflare
wasn’t sufficiently dramatic.

Do Extreme Close-Ups.


The model for image7-30wanted to create an eyecatching photo for her
portfolio—with bursts of color for extra impact. The original plan was to

7-29(facingpage).Lens flare and bold
color combine for great drama in this
studio image.


7-30(right).Creating extreme closeups
helped us make use of a small shooting
area and salvage a rained-out shoot.


camera on tripod

table withsilver reflector
on top

umbella angled down

umbella angled down

refridgeratoras white
background
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