location shoot, but the weather forced us into the studio. So, I was seeking a
unique, high-impact look to produce with studio lighting.
I originally set up two background lights and directed the model into po-
sition. In the test shots, however, I saw that one light was out—and it created
an interesting pattern on the wall that was similar to natural sunlight. I de-
cided not to replace the failed light; I wanted to see what the backlighting
would do on the model’s body.
The model posed as if in direct sunlight (facing the light source). Then, I
moved to intentionally show some lens flare. Later, I intensified the yellow
color inPhotoshopandaddedadditionallensflare,since the naturallensflare
wasn’t sufficiently dramatic.
Do Extreme Close-Ups.
The model for image7-30wanted to create an eyecatching photo for her
portfolio—with bursts of color for extra impact. The original plan was to
7-29(facingpage).Lens flare and bold
color combine for great drama in this
studio image.
7-30(right).Creating extreme closeups
helped us make use of a small shooting
area and salvage a rained-out shoot.
camera on tripod
table withsilver reflector
on top
umbella angled down
umbella angled down
refridgeratoras white
background