Sports Illustrated - USA (2022-02)

(Maropa) #1

26 SPORTS ILLUSTRATED | SI.COM


Today, the NFL’s marquee event reaches 150 million
viewers around the world. Meanwhile, Hollywood is
responsible for one of the U.S.’s leading exports: pop
culture. And the synergy between football and the
film industry has never been stronger. The Super Bowl

gooses its ratings each year with its starry, shock-and-
awe halftime shows, while the movie industry shells out
$5.5 million for each 30-second ad during the Big Game
to give sneak peeks at its latest shoot-the-works franchise
wares. Sometimes it seems as if one uniquely American
form of escapist entertainment is eating its own tail—at
a corner booth at the Ivy, naturally.
This symbiosis only seems to be getting stronger:
Just recall Brad Pitt’s stentorian introduction before last
year’s Super Bowl, hailing the generational matchup
between Tom Brady and Patrick Mahomes. So as the
Big Game returns to La La Land, we look back at some of
the most memorable moments in this long—and sometimes
awkward—relationship.

O


N JAN. 15, 1967, Vince Lombardi’s dynastic Packers
routed the AFL’s scrappy Chiefs 35–10 in Super Bowl I.
But the showdown that would usher in a new era for the
sport was seemingly slapped together with Scotch tape
and chewing gum. The site for the game wasn’t even

When Super Bowl LVI kicks off
at SoFi Stadium in Inglewood,
Calif., it will symbolize a
homecoming of sorts. After
all, 55 years ago the very first
Super Bowl played out in the
balmy shadow of the Hollywood
sign as well. A lot has changed
since then—both in terms of
football’s ascent as the national
pastime and the size and scale
of big-studio blockbusters—but
the NFL and movie industry
have, in many ways, matured
into hand-over-fist success
stories, side by side. In fact,
you could say that the first
Big Game between the AFL
and NFL champions at the
Los Angeles Coliseum was its
splashy Tinseltown premiere.

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