STRUCTURAL DESIGN FOR ARCHITECTURE

(Ben Green) #1
Structural design for achitecture

Fig. 2.6 Renault
Warehouse and
Distribution Centre,
Swindon, England, 1983.
Foster Associates, archi-
tects, Ove Arup &
Partners, structural
engineers. Many of the
features which are
associated with high
structural efficiency are
visible here, such as the
semi-trussing of the
main elements, the use
of tapered profiles, the
1-shaped cross-sections
and the circular lighten-
ing holes. They were
adopted for visual
reasons, however, as few
of these complexities can
be justified on technical
grounds due the
relatively short span
involved. [Photo: Alastair
Hunter]

Movement. In the early Modern period, in the
works of architects such as Mies van der Rohe,
the use of technical imagery was accomplished
with restraint and refinement, and confined to
the repetitive use of elements such as parallel-
sided I-section beams (see Fig. 1.2). Later
practitioners of the so-called 'high-tech' genre
used a much richer palette of structural images,
many of which were 'borrowed' from the fields
of vehicle and aeronautical engineering rather
than from structural engineering. The purpose
was to create an architectural style which was
celebrative of the idea of technical progress and
of the condition of modernity.
In the high-tech style the 'structure symbol-
ised' approach resulted, with a few notable
exceptions, in an architecture which was based
on steel framework structures, principally


because steel was the only structural material
which possessed the necessary high-tech
image and which also provided a large enough
number of different element and component
types to give the architectural language a
reasonably large vocabulary.^8
The use of steel frameworks in this way
meant that the constraints which are associ-
ated with steel had to be accepted and the

It is significant that one of the very few buildings of this
type to have a reinforced concrete structure - the
Lloyd's Headquarters Building in London -was
intended originally to have a steel frame and was
detailed as though the structural material were indeed
steel. This provides a good illustration of the fact that,
contrary to the claims which are often made for it, this
is not a structurally 'honest' type of architecture. 31
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