Rave Culture and Religion

10 Outback Eclipse Festival, Lyndhurst, South Australia, 3–6 December 2002 Source: © Saskia Fotofolk 11 Earthdance (Free Tibet P ...

12 Earthdream2000 Dance Floor, Alberrie Creek, South Australia Source: © Saskia Fotofolk 13 Adam Beyer at Awakenings, NDSM Wareh ...

14 Planet Rose, Nijmegen, Netherlands, 2002’ Source: © Alexander Browne 15 Awakenings, NDSM Warehouse,Amsterdam, New Year’s Eve ...

17 Finding Fibonacci, 2002 Source: © Steve Wishman ...

18 Rainbow Serpent Festival, Victoria, Australia, 2003 Source: © Martin Reddy 19 Outback Eclipse Festival, South Australia, Dece ...

20 Hacienda by Todd Fath Source: From the cover of Hillegonda C.Rietveld’s This Is Our House ...

21 Drop Bass Network’s Jesus Raves, 29 June 2002, Racine, Wisconsin Source: Drop Bass Network ...

22 Drop Bass Network’s Second Coming, 31 December 2000, Madison, Wisconsin Source: Drop Bass Network ...

distinct records into a seamless mix. Finally, incorporation is that point at which the DJ fully completes the transition to the ...

participation in events as well as the agency of others. But because the narrative of a DJ’s set is cyclical and liminality is a ...

Conclusion For Turner, this recognition that the ritual event can be revisited positions rave and club performances as liminoid ...

Notes 1 Turner maintained a distinction between the liminal as obligatory and the liminoid as optional, part of the leisure worl ...

cultures cannot be understated: DJ booths at clubs and raves are often hawkishly watched over by would-be DJs hoping to learn so ...

Grimes, Ronald L. (2000) Deeply into The Bone: Re-inventing Rites of Passage, Berkeley, CA: University of California Press. Hall ...

Turner, Edith(ed.) (1986) On the Edge of the Bush: Anthropology as Experience, Tucson, AZ: University of Arizona Press. Turner, ...

9 Sounds of the London Underground Gospel music and Baptist worship in the UK garage scene Ciaran O’Hagan Not everyone understan ...

relationship to their subject area (Back 2001). In doing so, I can now appreciate how my previous experience as a consumer of da ...

ongoing process of restructuring continues to produce an array of interconnected scenes that combine to form the wider British d ...

whilst helping to establish it as a key element of British dance culture and a feature of the international dancescape. Since 19 ...

gospel-inspired disco and early house productions. The club ran from 1976 until 1987 and still ‘remains the most mythologized of ...