Rave Culture and Religion

(Wang) #1

Malbon, B. (1999) Clubbing: Dancing, Ecstasy and Vitality, London: Routledge.
Martin, D. (1999) ‘Power play and party politics: the significance of raving’, Journal of
Popular Culture 31(4): 77–99.
Melechi, A. (1993) ‘The ecstasy of disappearance’, in S.Redhead (ed.) Rave Off: Politics and
Deviance in Contemporary Youth Culture, Aldershot: Avebury.
Moore, D. (1995) ‘Raves and the Bohemian search for self and community: a contribution to
the anthropology of public events’, Anthropological Forum 7(2): 193–214.
Niman, M. (1997) People of the Rainbow: A Nomadic Utopia, Knoxville, TN:University of
Tennessee Press.
Phillips, J. (2002) ‘The ultimate technology: BRAINS’, in Global Eyes Yearbook, 2002
Tranc.ition Project, Melbourne.
Pike, S. (2001a) Earthly Bodies, Magic Selves: Contemporary Pagans and the Search for
Community, Berkley, CA:University of California Press.
(2001b) ‘Desert Goddesses and apocalyptic art: making sacred space at the Burning Man
festival’, inM.Mazur (ed.) God in the Details: American Religion in Popular Culture,
London: Routledge.
Pini, M. (1997) ‘Cyborgs, nomads and the raving feminine’, inH.Thomas (ed.) Dance in the
City , London: Macmillan.
(2001) Club Cultures and Female Subjectivity: The Move from Home to House, Basingstoke,
Hampshire: Palgrave.
Possamai, A. (2002)‘Cultural consumption of history and popular culture in alternative
spiritualities’, Journal of Consumer Culture2(2): 197–218.
Push and M.Silcott (2000The Book of E: All About Ecstasy ,Omnibus Press.
Ramy (1999) ‘The meaning of a rave’, City Heat Magazine, December, available online at
http://www.livingart.com/raving/articles/article01.htm (accessed 22 September 2002).
Rietveld, H. (1993) ‘Living the dream’, in S.Redhead(ed.)Rave Off: Politics and Deviance in
Contemporary Youth Culture, Aldershot: Avebury.
— (1998a) This is Our House: House Music; Cultural Spaces and Technologies, Aldershot:
Ashgate.
— (1998b) ‘Repetitive beats: free parties and the politics of contemporary DiY dance culture
in Britain’, in G.McKay(ed.) DiY Culture: Party and Protest in Nineties Britain, London:
Verso.
Reynolds, S. (1997) ‘Rave culture: living dream or living death?’, in S.Redhead(ed.) The
Clubcultures Reader: Readings in Popular Cultural Studies, Blackwell: Oxford
— (1998) Energy Flash: A Journey through Rave Music and Dance Culture, London: Picador.
Ross, A. (1992) ‘New Age technoculture’, in L.Grossberg, C.Nelson and P.Treichler(eds)
Cultural Studies, London: Routledge.
Rushkoff, D. (1994) Cyberia: Life in the Trenches of Hyperspace, London: Flamingo.
St John, G. (2001a) ‘Doof! Australian post rave culture’, inG.St John (ed.)FreeNRG: Notes
from the Edge of the Dance Floor, Altona: Common Ground.
— (2001b) ‘Alternative cultural heterotopia and the liminoid body: beyond Turner at
CoriFest’, Australian Journal of Anthropology, 12(1): 47–66.
— (2001c) ‘Techno terra-ism: feral systems and sound futures’, in G.St John (ed.) FreeNRG:
Notes from the Edge of the Dance Floor, Altona: Common Ground.
— (2003) ‘Post-rave technotribalism and the carnival of protest’, in D.Muggleton and
R.Weinzierl(eds) The Post-Subcultures Reader, London: Berg.


42 GRAHAM ST JOHN

Free download pdf