Dialect Poetry of Southern Italy (Italian Poetry in Translation Book 2)

(Marcin) #1

logic of that type of choice there was also the


explicit refusal of an artificial, pedantic,


academic dialect, separated from the


authentic roots of Sicilian culture and deaf to


the genuine voice of the people. And thus


there was a rejection of the idea of a kind of


poetry following the worn-out linguistic


models of the imitators of Giovanni Meli.(26)


In 1946 the poets of Palermo gathered


around the Gruppo Alessio di Giovanni,


which functioned until 1954; Ammannato,


Conti, Tamburello, Orsini, Messina were


joined by Gianni Varvaro (1917-1973) and,


occasionally, by Buttitta and the poets from


Catania Aldo Grienti (1926-1986) and


Carmelo Molino (1908-1984). Grienti and


Molino, in turn, had started the poetry sheet


Torcia a ventu, around which gathered the


group from Catania, soon to be known as


Trinacrismo, whose leading spirit was

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