marcin
(Marcin)
#1
logic of that type of choice there was also the
explicit refusal of an artificial, pedantic,
academic dialect, separated from the
authentic roots of Sicilian culture and deaf to
the genuine voice of the people. And thus
there was a rejection of the idea of a kind of
poetry following the worn-out linguistic
models of the imitators of Giovanni Meli.(26)
In 1946 the poets of Palermo gathered
around the Gruppo Alessio di Giovanni,
which functioned until 1954; Ammannato,
Conti, Tamburello, Orsini, Messina were
joined by Gianni Varvaro (1917-1973) and,
occasionally, by Buttitta and the poets from
Catania Aldo Grienti (1926-1986) and
Carmelo Molino (1908-1984). Grienti and
Molino, in turn, had started the poetry sheet
Torcia a ventu, around which gathered the
group from Catania, soon to be known as
Trinacrismo, whose leading spirit was