marcin
(Marcin)
#1
the aid of worthy collaborators, evokes its
figures and characters, while he reaches out
to young and older poets alike.
His rentréee onto the scene of dialect
poetry takes place in 1986 with Cantu d’amuri
[Love Song], a poem (whose first inspiration
goes back to 1964), modeled after the line of
“a koinè of noble literariness”32: a hymn to
love and its capacity to dissolve the vapors of
habit; love leads the poet back onto the paths
of memory, through which he reconstructs
times and places, seasons and circumstances,
of a personal historia, illuminates the
present and transcends it. A poetic language
of surprising freshness and vividness, in
which the discursive cadence is enriched by
a suffused lyricism and by a skillful play of
metaphors. His subsequent works are, in
1988: Quaranta [Forty], a collection of poems
composed between 1957 and 1969, which